The unfair society we live in
[a water pipe is delivering water directly in the mouth of a huge character sitting on a chair, gorging on the water, below a label]\
Evil proletarian getting all the unemployment benefits\
\
[a few little droplets are falling from the water pipe into the mouth of a thin character in a suit, next to the label]\
Poor billionaire trying to buy their 7th yacht
thebad.website/comic/the_unfai…
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Stiles joins London union leaders in calling for workers’ action centre to remain open in wake of auto layoffs
Stiles joins London union leaders in calling for workers’ action centre to remain open in wake of auto layoffs
There are fears that laid off workers from London’s auto sector will soon have nowhere to turn to help with re-training. This comes as a workers’ action centre gets set to wind down in just a few days.Bryan Bicknell (CTVNews)
blog.zaramis.se/2026/02/02/van…
My thousand dollar iPhone can't do math
My thousand dollar iPhone can't do math
TL;DR: My iPhone 16 Pro Max produces garbage output when running MLX LLMs. An iPhone 15 Pro runs the same code perfectly. A MacBook Pro also runs the same code perfectly.Rafael Costa (Rafael's Journal)
Windows 11 just lost 5% market share in two months despite Windows 10 losing support.
According to Statcounter, Windows 11 held a 55.18% market share in October 2025. That share dropped to 53.7% in November and dropped again in December. Now, Windows 11 holds a 50.73% market share.
gs.statcounter.com/os-version-…
Desktop Windows Version Market Share Worldwide | Statcounter Global Stats
This graph shows the market share of desktop windows versions worldwide based on over 5 billion monthly page views.StatCounter Global Stats
French tech company Capgemini to sell its subsidiary working for US ICE amid international controversy over the deaths of two people in ICE operations
French company Capgemini to sell US subsidiary amid controversy over ICE links
French IT giant Capgemini said Sunday it was selling its subsidiary working for the US Immigration and Customs Enforcement (ICE) agency amid international controversy over the deaths of two people in ICE operations.RFI
'Call of Duty' Microtransactions Surge Followed Jeffrey Epstein Advice to CEO
42 years ago, this was state of the art copy protection
1984, Jet Set Willy was released. A great game that every kid at school wanted. Of course we all wanted a copy, but it cost £8 here in the UK, which was several weeks' pocket money.
Copying games then involved finding a kid whose Dad was seriously into Hifi and had a stackable stereo system, then we'd copy it with their tape to tape system. But JSW had this as the cassette inlay.
How this works? When the game loaded after about 10-15 minutes, it would ask what colours were in Grid square A5, or H9 etc. Get it wrong twice and the game would exit and you'd need to start over.
(If you're wondering what happens if you're colour blind - you could write to the publishers and if they accepted your complaint, they would ask you to send them the game and would give you a cheque to cover the refund)
Of course, kids are determined and inventive, and this was well before photocopiers or digital cameras, so we would spend our lunchtimes with pencil and paper writing down every single combination...
It was a good game, with some great music, but really really hard.
(Credit to intarch.ac.uk/journal/issue45/… for the picture, and the page also goes into more depth)
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The Secret of Monkey Island - Dial A Pirate
The Secret of Monkey Island - Online Interactive Code Wheel. Dial-A-Pirate Code Wheel is form of copy protection from original The Secret of Monkey Island Retail boxed game developed by LucasFilm Games in 1990...www.oldgames.sk
Indiana Jones and the Last Crusade for Amiga I think it was which came with a photocopy proof translation table that you used with a red piece of translucent plastic overlay, which would reveal the codes underneath.
Or maybe that was Zak McKracken.
Both amazing games. I remember the Monkey Island 2 one also, but I think we had cracked versions for all of those games anyway tbh. :)
ye Monkey Island was easy to photocopy :D
I remember in my local PC shop, they had a whole binder of copy-protection mechanisms they would photocopy from when they sold you a pirated game :D
It's understandable that companies wanted to protect their software, but this method was a bit feeble. On the ZX Spectrum at least, it could be overcome by a single POKE!
Still, at least it wasn't the horrible, user-hostile LensLok system...
The inks used couldn't be faithfully scanned/replicated. So even color copiers were useless.
My father had a friend from his childhood who ended up owning a graphic design studio, and sometimes he would have to have these replicated using classic photography.
When I think back, we jumped through a lot of hoops to get a free game when we could have just spent a couple dollars lol
It wasn't. A lot of the copy protection was the game asking for the word on a particular page and line in the manual. When you pirated the game (which was easy, since it was literally just copying the disk to another disk), you photocopied the manual as well. Or rather photocopied the photocopy of the manual, I didn't see a lot of original games for the PC and Commodore 64 back in the 80s, but I sure had hundreds if not thousands of games.
I guess the colour thing was probably a method of circumventing the photocopier, because colour photocopiers were not really generally available back then.
Defeating a 40-year-old copy protection dongle – Dmitry Brant
cross-posted from: feditown.com/post/2498813
Defeating a 40-year-old copy protection dongle – Dmitry Brant
Defeating a 40-year-old copy protection dongle – Dmitry Brant
cross-posted from: feditown.com/post/2498813
Defeating a 40-year-old copy protection dongle – Dmitry Brant
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France Just Created Its Own Open Source Alternative to Microsoft Teams and Zoom
France Just Created Its Own Open Source Alternative to Microsoft Teams and Zoom
Not only for them, but any other non-European videoconferencing software.Sourav Rudra (It's FOSS)
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Have you tried selfhosting it? For me, it was unusable, despite a beefy cloud server, even for just 2 people. And thats ignoring setup complexity.
This one is optimized and kubernetes ready, which makes it super easy. Will try out soon.
It's licensed under Apache license:
Apache License 2.0
A permissive license whose main conditions require preservation of copyright and license notices. Contributors provide an express grant of patent rights. Licensed works, modifications, and larger works may be distributed under different terms and without source code.Permissions
Commercial use
Modification
Distribution
Patent use
Private use
Limitations
Trademark use
Liability
Warranty
Conditions
License and copyright notice
State changes
You know that they could just fork it, right? Saying that "it's american", just causes FUD for opensource.
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Nothing to do with license.
Firefox is a massive piece of code and following modern browser standards is so difficult that it's a feat for big teams of developers and no small team seems to be able to pick the pace needed.
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This is awesome!
But I am confused, isn't github Microsoft though? Why host it there?
Why didn't they pour money on Jitsi?
European, mature, FOSS...
I fear grift is there somewhere.
Also, French engineering has a habit of turning sound concepts into messy overengineerd but underbuilt results.
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Also, French engineering has a habit of turning sound concepts into messy overengineerd but underbuilt results
Any example ?
The development is quite transparent. The team is looking at reduced development and more integration, so instead of "pouring money on a project", they tried various solutions, and picked the "best one".
One criteria was an integration with their internal communication system: Tchap, essentially a Matrix server. The Matrix video call group didn't cut it because it requires ElementX, and apparently there are unresolved issue there (no idea if it's the app itself or due to customization of their Matrix server). They ended up with Visio, that is not a "new" solution: it's based on LiveKit.
github.com/tchapgouv/tchap-pro…
Etude des différentes options visio dans Tchap
Dans le cadre des priorités de la suite numérique : gros besoin d'intégrer la visio à Tchap en prio 2024 Plusieurs options semblent s'ouvrir à nous et nous avons besoin d'une investigation ops pour...julie-ri (GitHub)
W is a SWEDISH startup funded by private entities.
It has absolutely nothing to do with France, and the only link you could make here is it's owned at 25% by a media that received subsidies from the EU, like a lot of media do, and France is part of the EU.
The startup has not been endorsed by any public entity at any level.
This is completely irrelevant.
So they do use available solutions.
Well, I wish you could just say that, but "the French" is not a consistent body of people.
While we have this team working on a sovereign suite, Macron is rushing a law to ban <15 years old on social network, so… they will soon require all users to provide an ID. It will have to go through a "trusted third-party", not directly to Meta/Twitter/etc., and not to the gov directly, but we all know how much corporates and governments have been trustworthy historically. And once the data is collected, you're just one law away from all abuse.
Needless to say that the teen will rush to VPN, so they also mentioned a potential ban on VPNs! (France would then join the short-list of great democratic VPN-banning countries: North Korea, China, Iran…)
France has horrible laws for encryption, so how much do you want to bet this thing doesn't have e2ee.
This is an Intel operation
France requires companies to get permission to export cryptography. They're one of the worst countries in Europe for crypto.
comparitech.com/blog/vpn-priva…
Encryption laws: Which governments place the heaviest restrictions on encryption?
Deciphering control: Explore the global landscape of encryption laws to find out which governments impose the strictest regulations on data privacy and security.Paul Bischoff (Comparitech)
Zoom, Teams, Meet, and all the major providers do not have e2ee on by default. It's a paid extra and almost nobody turns it on.
Mega uses e2ee by default, and it cannot be turned off.
- A tool used by a state employer only wouldn't need e2ee, since they hold all the servers.
- The French government has long been trying to make encryption in use by its citizens inspectable by them (the French government)
Die Office-Suite für die Öffentliche Verwaltung
openDesk bietet kollaborative Office-Anwendungen für die Öffentliche Verwaltung: Textverarbeitung, Chat, Dateifreigabe, Videokonferenzen und Projektmanagement.openDesk
Seems pretty neat. Hopefully it's somewhat simple to compile and set up. It's kind of weird that livekit is VC funded though. Not necessarily the best, since they might have to relicense it to make investors happy at some point.
Look at their list of investors: livekit.io/about
The programmability aspect of LiveKit is cool, not that it matters much since this "meet" app is just something built on top of livekit.
I get that government use needs to be stringently tested for security, and so things take a little longer. But really, there are PLENTY of good FOSS products in existence that can be used as a base framework and a head-start to things like this.
You don't have to re-invent the wheel when you could easily fork Jitsi-meet and harden it/secure it to your needs in the government.
Jitsi is one of my top 5 FOSS projects that are basically already mature enough to be used in a professional setting
It's literally the third word on the github readme of the project linked I'm the post :
Powered by LiveKit
When Silence Is Mistaken for Peace
Many assume the war is over and everything is fine now. That’s not our reality. Gunfire has decreased, but it hasn’t stopped, and daily life is still tight and uncertain. Our calls may be quieter, but the struggle continues. Any support or solidarity still means a lot.
gofund.me/1d3ea05b6
When Silence Is Mistaken for Peace
نُشر تبادليًا من: hexbear.net/post/7526859
🇵🇸
Many assume the war is over and everything is fine now. That’s not our reality. Gunfire has decreased, but it hasn’t stopped, and daily life is still tight and uncertain. Our calls may be quieter, but the struggle continues. Any support or solidarity still means a lot.
gofund.me/1d3ea05b6
When Silence Is Mistaken for Peace
🇵🇸
Many assume the war is over and everything is fine now. That’s not our reality. Gunfire has decreased, but it hasn’t stopped, and daily life is still tight and uncertain. Our calls may be quieter, but the struggle continues. Any support or solidarity still means a lot.
gofund.me/1d3ea05b6
When Silence Is Mistaken for Peace
نُشر تبادليًا من: hexbear.net/post/7526861
نُشر تبادليًا من: hexbear.net/post/7526859
🇵🇸
Many assume the war is over and everything is fine now. That’s not our reality. Gunfire has decreased, but it hasn’t stopped, and daily life is still tight and uncertain. Our calls may be quieter, but the struggle continues. Any support or solidarity still means a lot.
gofund.me/1d3ea05b6
When Silence Is Mistaken for Peace
نُشر تبادليًا من: hexbear.net/post/7526859🇵🇸
Many assume the war is over and everything is fine now. That’s not our reality. Gunfire has decreased, but it hasn’t stopped, and daily life is still tight and uncertain. Our calls may be quieter, but the struggle continues. Any support or solidarity still means a lot.
gofund.me/1d3ea05b6
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Tbh I probably wouldn’t have clicked the link if I hadn’t seen your comment, since I thought this was the original title of the video
its what it was originally but youtube has a way for vids to swap out less attractive titles automatically for alternate titles
But RAM on windows is 15GB vs 9.1GB on Bazzite, the difference is massive! That's only Cyberpunk, I didn't finish the video.
Windows is full of crap, especially Windows 11
The ‘Wall of Tears’ in New York: when the names of Gaza’s children become testimony that refutes Israel
While Western governments continue to provide political and military cover for Israel, within Western societies themselves, there are growing spaces for challenging the official narrative, led by independent artistic and cultural initiatives that redefine the victim and break down their reduction to numbers. In this context, art is no longer merely a symbolic expression, but a tool for moral questioning, bringing the tragedy of Gaza from the margins of the news to the heart of public consciousness. In New York City, one of the world’s most influential cultural capitals, a huge artwork entitled ‘Wall of Tears’ has emerged, documenting the names of thousands of Palestinian children Israel has killed in the Gaza Strip, transforming them from numbers in military reports into an indelible human memory.
Names instead of numbers from Gaza on the Wall of Tears
On Grattan Street in Brooklyn, the wall was built approximately 15 metres long and three metres high, made of weather-resistant vinyl in a sandy colour that mimics the besieged land of Gaza. On its surface are written the names of 18,457 Palestinian children who were killed between 7 October 2023 and 19 July 2025, according to data from the Ministry of Health in Gaza.
The list begins with the name of 14-year-old Wissam Iyad Mohammed Abu Faisaf and ends with eight-year-old Sabah Omar Saad Al-Masri, arranged chronologically according to the date of their martyrdom, in a visual documentation that restores each child’s name and age and refutes the description of ‘collateral damage’ promoted by the occupation machine.
The work is by American artist Phil Buehler, known for his politically charged art projects. In a statement to the Guardian, he said that from a distance, the wall ‘looks like an abstract painting,’ but it draws passers-by closer, before they discover that they are looking at the names of children killed in Gaza.
Art as a tool for accountability
The artist points out that reading the names, accompanied by selected photos and stories taken from press reports, forces the viewer to make comparisons and imagine their own children or family members in the same place, creating a human shock that transcends traditional political and media language.
The Wall of Tears is not an isolated initiative, but part of a clear artistic trajectory in Buehler’s work, who has previously carried out projects such as The Wall of Lies, documenting false statements by US President Donald Trump, and The Wall of Shame about the 2021 storming of the US Capitol, as well as Empty Beds, which highlighted the abduction of Ukrainian children.
In this context, Buehler treats art as a tool for political and moral accountability, rather than as an aesthetic act detached from reality.
The work was carried out in collaboration with the non-profit organisation Radio Free Brooklyn. Buehler emphasises that the project was ‘behind the times’ even before its opening, as it documents the names of children only up to July 2025, while Israel continued to kill hundreds of children after that date, including during the period following the ceasefire agreement last October.
Hind Rajab: the memory that opens the wall
The opening of the wall coincided with the second anniversary of the martyrdom of the child Hind Rajab, who was shot dead by occupation soldiers inside a car carrying her and her relatives as they tried to reach a safe place on 29 January 2024. Her final cries for help became documented testimony, forming the basis of the film ‘The Voice of Hind Rajab’ by Tunisian director Kawthar Ben Hania, which has been nominated for prestigious international awards, including the Oscars and BAFTA.
The work comes amid heated political debate in New York, home to the largest Jewish community outside Israel. In this context, Buehler emphasised his rejection of the deliberate conflation of opposition to genocide in Gaza with anti-Semitism, arguing that this conflation is used to silence moral criticism and shut down any public discussion of the crimes committed.
Testimony on the Wall of Tears
The ‘Wall of Tears’ was not the only event in Brooklyn. Over the past few months, the city has witnessed other artistic initiatives in support of Gaza, most notably the non-profit exhibition space Recess hosting the American debut of the ‘Gaza Biennial’ under the title ‘From Gaza to the World,’ with the participation of 25 Palestinian artists.
The works on display documented life under bombardment, famine and displacement, affirming that Palestinian art continues despite war and siege.
The Gaza Biennial is an international art project that was launched in April 2024 on the initiative of artists from Gaza and the West Bank, with the participation of more than 50 artists, to transform art into an act of survival and resistance, and to redefine the artistic space in a time of extermination.
Thus, dismantling the Israeli narrative is no longer the exclusive domain of human rights reports or political statements. In the streets and on the walls of Western cities, art stands as a moral witness to a crime that the official world is trying to overlook, while the human conscience insists on fixing it in memory… name after name.
Featured image via the Canary
By Alaa Shamali
From Canary via This RSS Feed.
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