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My dad gave me a bunch of old camera gear which belonged to his dad. He told me I can sell it all but it's just stressing me out! Any advice?

There is one Mamiya 645 with a viewfinder and also a waist level viewfinder attachment. Also four Mamiya lenses. It has some brassing but looks to be in good condition.

There's a bunch of crappy 35mm film cameras which are worth nothing.

Then there's a bunch of really old cameras which I have no idea what they are! Variable condition.

I hope you can see the photo large enough to see what is there.

I am guessing it might be worth trying to sell the Mamiya and lenses separately from everything else? And then maybe sell all the old cameras as a job lot?

Thank you!

#filmphotography #camera #photography

in reply to John Bloor Printmaker

definitely worth telling the Mamiya separately, with or without its lenses,, some are more sought for than other.

I'd think it could be a good idea to sell the Fed and Kiev on their own, may also be the case for the kodak that had no finder

in reply to John Bloor Printmaker

if you sell for money, sell them without rush - be patient. If you need space, and dont care about money that much, then sell them as a pack. Good product photos are key to selling at good price. If you have any 35mm film, you can use it to prove condition of cameras. Btw. Old 35mm film rolls are valuable
This entry was edited (1 week ago)
in reply to John Bloor Printmaker

you might not get the max cash for them but ut would probably be the most stress-free - try cameraworld.co.uk or wexphotovideo.com who both take in second hand gear.
in reply to John Bloor Printmaker

So I'd say yes, sell the Mamiya stuff separately. But then I'd separate the rest into 3 lots: the rangefinders, the 3 SLRs, and the point and shoots. They have different audiences, seems to me. Possibly separate out the Fed 3, as someone suggested. BTW I can't really see what the non-Fed rangefinders (top left 3) are...
in reply to John Bloor Printmaker

in reply to shom ✊🏽🐧📷🤿🏔️🪚

@shom Thanks for all the information, I'm very grateful! I'm going to look at each one and photograph them from all sides and I'll share them on here.
in reply to John Bloor Printmaker

the kievs are actually very closely related to the Contax (literally made in the same factory, same machines, and some of the same people, its an East germa post-ww2 thing). They sell well. Recently featured in Asteroid City, made famous by Robert Capa .
This entry was edited (1 week ago)
in reply to John Bloor Printmaker

That Minolta rangefinder probably has a very good Rokkor lens, and a lot of their older camera bodies were compatible with Leica optics.

So if the Minolta still works mechanically, that may also be one to sell separately. If you can ID the model number, it may be one from the 1950-60s and rather rare.

My advice is to check the shipping cost & tariff situation carefully if you sell any of your collection internationally through eBay. Your buyers shouldn't be surprised by the cost.

in reply to Phil 📸

@phil I’m not selling them separately and there doesn’t seem to be much interest at the moment! I just want to get rid of them.
in reply to John Bloor Printmaker

Huh. I think that narrows the model options down to either a Minolta A or A2. Both were made in the 1950s. The way to tell which one you have is by looking at the maximum shutter speed setting.

If the shutter maximum is either 400 or 500, it's likely an A2. Anything under 400 is an A. I think Minolta may have even made an A3, but I don't recall any of the tell tale specs for that model.

In excellent working condition with the Rokkor lens, that camera is probably worth $100-$200+.

in reply to Phil 📸

@phil Blimey! I can’t verify if it’s working or not, can’t get it to do anything. Maybe I should look up some instructions. Thanks!
in reply to John Bloor Printmaker

Then it's a Minolta model A, definitely. Made between 1955 and 1957. A true classic.

There may be an instruction manual available online. If not, take it to a camera shop and ask the oldest guy there to show you how it operates.

If it does work, a camera shop will probably offer you $50 for it. That's obviously not what it's worth to a collector, but now you know what you've got.