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#MovieThread VI: The Past Is An Undiscovered Country, Chapter Nine — September Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 274, for a total of 2236 movies.

* Have started Stanley Kubrick.
* Coming up on some real long ones.

:beepboopone: Previous thread: beepboop.one/@Alexis/114953310…


#MovieThread VI: The Past Is An Undiscovered Country, Chapter Eight — August Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 238, for a total of 2200 movies.

* Next director: Bob Fosse.
* But first: Another three 1954 Best Picture nominees.

:beepboopone: Previous thread: beepboop.one/@Alexis/114779352…


in reply to Alex Daily!

Sneak Preview!

Uhh, no strong feelings leading me towards any guess, so let’s longshot it and say “Him.”

Leaving now. #275, or #2237.

#2237 #275
in reply to Alex Daily!

Sneak Preview was 2025’s “Relay.” Phwoar, what a great, solid little process thriller!

Riz Ahmed plays an intermediary between people who start a whistleblow and then decide to not blow up their life about it, helping them negotiate, and keeping them safe from, say, private security operations who may want them dead.

in reply to Alex Daily!

And it’s all really focused on his process, how he keeps himself anonymous, the relay service he uses so he can type his phone conversations instead of having to speak — he’s in almost every scene, but it takes almost an hour for him to utter a second sentence — how he loses people who might be trailing his packages, etcetera, which, baby, you know I love a process.
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Riz Ahmed incredible in this, Lily James and Sam Worthington maybe a little wobblier, but not to the detriment of this tight, very enjoyable picture.
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Knew enough about this not to live-toot it, so while colouring comics I watched —

#276, or #2238, 1956 Best Picture nominee and racist garbage “The King and I.”

#2238 #276
in reply to Alex Daily!

Had I completely forgotten about racism before watching this I might’ve been able to speak to some of 1956’s “The King and I"’s virtues, but given that I have not recently suffered a debilitating brain haemorrhage, I neither can nor will.
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This is racist dreck filled to the absolute brim with every garbage orientalist cliché you can think of and more. It’s “The Sound of Music” if you took that picture’s antifascism and replaced it with what your worst uncle reckons Southeast Asia must’ve been like way back when.
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One of the grossest displays of backwards Western ignorance I’ve ever been unfortunate enough to be witness to. Genuinely despicable.
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Love seeing a movie at noon. Twelve people in the biggest screen they have, me in the front row. I bring a sandwich.

Anyway, time to get my Conj on, leaving now to go see --

#277, or #2239, 2025's "The Conjuring: Last Rites."

#2239 #277
in reply to Alex Daily!

All your favourites from the Conj bag of tricks are here -- cable pulled into room by unseen entity, shape in darkness turns out to be something normal but then ghost is there anyway, vision that tells her somebody's not alright. Catholicism and Family save the day once again.

(And introducing: Inexplicably Tall Annabelle.)

A solid, enjoyably familiar Conj picture, even if it's maybe a little too married to both formula and reality to quite get to be the big epic finale it clearly wants to be.

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Can you believe I haven't seen this? It's --

#278, or #2240, 2011's "Green Lantern."

#2240 #278
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Couldn't even tell you the ways in which it's meant to be bad.

Though a bunch of sci-fi nonsense in the opening narration is rarely a good sign.

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The picture at large isn’t, honestly, /that/ offensively bad, it’s a largely pretty sincere 2010s take on the character that should’ve easily stood on its own next to, say, the "Transformers" movies, but Reynolds' miscasting doesn't just make him a piece from a different puzzle, he’s a piece from a different /kind/ of puzzle. None of it fits, and the whole thing falls apart around it.
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While working, for additional context after seeing “Eden” recently, I watched —

#279, or #2241, 2013 documentary “The Galapagos Affair: Satan Came to Eden.”

#2241 #279
in reply to Alex Daily!

“Eden,” I think, is relatively accurate to the story as told here, but the doc loses focus in exactly the places where I still had questions, and interviews with descendants are neither particularly additive or informative. Watchable enough doc, all in all.

The inclusion of the complete “Empress of Floreana” short starring the Baroness a welcome surprise.

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I assume this cowboy movie is named for its gargantuan 3h21m runtime, let's just do this, it's --

#280, or #2242, 1956 Best Picture nominee "Giant."

#280 #2242
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Rock Hudson is here to buy a horse. I would simply buy a horse in 90 minutes.
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Long, but never boring, which is far more than I can say about most Best Picture nominees. Well made, and its problematic heart is ultimately in the right place.
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90 minutes sounds like a long time to buy a horse at first, but really, it is a commitment that probably does warrant some time.
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@kurt He's come all the way from Maryland to Texas for this one horse, it's not like he's buying them in bulk.

And once you've made the trip, you'll wanna talk through some of its history, pros, cons, you'll definitely want to ride it and see somebody else ride it, taking it from its stable to its transport will take some time.

And it's not a gift horse, so you'll definitely wanna look in its mouth.

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While working, annoyed myself by watching —

#281, or #2243, the 2025 live-action “Lilo & Stitch.”

#281 #2243
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The kid does a good job, the CGI finds a good balance between cartoonishness and reality, but is also fairly weightless, and, for the most part, everything that’s good it gets from the original and everything it changes either just kinda sucks or makes no sense.

Genuinely pointless, valueless art. A movie made for people for who Disney is a big part of their identity, but not for anyone with an actual personality. Just watch the original.

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Probably my one chance to see a Takahata in the cinema, leaving now for a screening of --

#282, or #2244, 1988's "Grave of the Fireflies."

#282 #2244
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I obviously cry at movies a lot anyway, but I don't think I've ever quite sobbed and wept in the cinema like this before. Wiping away my tears a functionally pointless endeavour. Takahata the best to ever do it.

Wherever there's war it happens to children and I may never understand how any war survives even a fraction of a second of that knowledge.

in reply to Alex Daily!

Probably shouldn't put on a 3h16m movie when I'm already a bit sleepy, so let's instead watch --

#283, or #2245, 2000's "X-Men."

#2245 #283
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We had a DVD set of the original trilogy when I was a kid, all three of them just sort of ended up playing on our TV every now and then. But it might be fifteen years or more since I last properly sat down and watched any of those.
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It's weird, isn't it, that 25 years on, when everyone pretty much agrees these average out to being kind of terrible as a series, the main cast of these are in the middle of filming their bits of what will probably be 2026's biggest film.
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Yeah, really enjoyed this revisit, this thing honks. Just a good time.
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@Anke
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I must've caught X-Men 2 on tv like fifteen times, and yet I can't tell you any of the plot an haven't seen it in a decade.
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There's a medicine to 'cure' x-mutations and Magneto takes over Alcatraz, I think. That can't possibly span three movies, but that's all I remember.
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@kurt Truly don't remember Alcatraz at all. My brain tries to picture it and it just cuts to the Fassbender version in a... cult camp?
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May or may not take a break from being Spartacus for dinner.
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I know very little about this one other than the obvious. It's a Kubrick. Trumbo wrote it. Big Roman epic.
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Seven minutes in and the credits are nearly over. Given how many people walk out the second credits start these days, no wonder they used to put them at the start.
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"In the last century before the birth of the new faith called Christianity, which was destined to overthrow the pagan tyranny of Rome and bring about a new society, the Roman Republic stood at the very center of the civilised world."

Turmoil has engulfed the Galactic Republic. The taxation of trade routes to outlying star systems is in dispute.

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⚔️🛡️ #284: "Spartacus" (1960)

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Airfrying a quick pizza in the middle truly how Kubrick intended me to see 1960's "Spartacus."
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Alex Daily! reshared this.

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Weird day, was a real chance I might get interrupted and have to be out of the house for a few hours, so before, during, and after dinner, I watched —

#285, or #2247, 2025 Netflix doc “Unknown Number: The High School Catfish.”

#285 #2247
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High schooler gets sent stalker-level texts for years. The perpetrator turns out to be somebody happily, even cheerily participating in the documentary like you might expect them to do if they weren’t a bizarre creep. Absolutely wild perp reveal!
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📱 #285: "Unknown Number: The High School Catfish" (2025), I say who did it

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📱 #285: "Unknown Number: The High School Catfish" (2025), analysis

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(The reasons I might've been interrupted are reasons I might've, should I have chosen to share them, cw'ed "family, medical, everyone is basically fine," and the zone in which I might've been interrupted has since ended.)
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Have put on and been watching for a bit —

#286, or #2248, 2007’s “The Man from Earth.”

#286 #2248
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As I understand it, the premise of this is:

A man proffers to the friend group he’s about to leave behind that he is, in fact, approximately 14,000 years old. An hour and a half of rigorous scientific, philosophical, and eventually religious, debate follows. Credits roll.

And indeed, after proposing it as a hypothetical, John Oldman (geddit) has just dropped that he had a chance to sail with Columbus but turned it down because of the risk of falling off the Earth.

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What a terrific piece. Its singular focus on the conversation between these people in this single place means it feels a little stagey, but not in a way detrimental to the picture. I never tired of it, simply enjoying the conversation.
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To paraphrase the poster, how did they ever toot their way through --

#287, or #2249, 1962 Stanley Kubrick picture "Lolita."

#287 #2249
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I know very little about this one, but have seen a few people describe it as "sort of a screwball comedy."
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👧 #287: "Lolita" (1962), yikes

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Funny more often than it’s uncomfortable, really, which isn’t what I was expecting.
in reply to Alex Daily!

This has a certain position in the culture that made me wary of watching it, wary of live-tooting it, and like, yeah, it’s very much About That, but not even really in a particularly lascivious manner — it’s still also, you know, a psychological drama and character study made by Kubrick under the late Hays Code.

Those things do continue to mean things also.

in reply to Alex Daily!

Lolita as a screwball comedy? I'm not sure my brain can even imagine the idea.
in reply to Alex Daily!

@kurt I think the way to make it an actual screwball comedy might be to make it less so strictly from his perspective, and make them both explicitly manipulative, both twisting themselves into knots about it, both thinking they're fully in charge.
in reply to Alex Daily!

As I understand it, this won Best Picture because, [squints at cast list] all of Hollywood was in it, it's --

#288, or #2250, 1956's "Around the World in 80 Days."

#288 #2250
in reply to Alex Daily!

Big choice to open with Edward Murrow introducing "Le voyage dans la lune" and then just... showing the whole thing?
in reply to Alex Daily!

We now return to 1956 Best Picture winner "Around the World in 80 Days."
in reply to Alex Daily!

It's using "Le Voyage" as a way in to show how our conception of the world as an object in space has changed. The real footage of our blue marble is weirdly crummy, until you remember it's 1956 and the moon landing ain't even happened yet.
in reply to Alex Daily!

Wild ride so far, but finally, Phileas Fogg, about to go on his own wild ride.
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in reply to Anke

@anke David Niven isn't a million miles off an anthro lion, but I'd say he's closer to a tiger.
@Anke
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🚂 #288: "Around the World in 80 Days" (1956)

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Looks great, Niven and Cantinflas make a pretty good Fogg and Passepartout, but it's way too fucking long, and the racism makes sure you feel every second of it.
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🚂 #288: "Around the World in 80 Days" (1956)

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Guess I'm actually watching

#289, or #2251, 1902's "Le Voyage dans la Lune," or, "A Trip to the Moon,"

as contained entirely inside 1956's "Around the World in 80 Days."

#289 #2251
in reply to Alex Daily!

Still think the scientists look like wizards, but my conception of wizards is presumably based on scientists.
in reply to Alex Daily!

All of this still slaps. Discordant piano score really works.
in reply to Alex Daily!

It's the movie that dared to ask, what if Don Rosa's "The Dream of a Lifetime" (D 2002-033) had Leonardo DiCaprio in it instead of Scrooge McDuck, leaving now for a fully booked screening of --

#290, or #2252, 2010's "Inception."

#290 #2252
in reply to Alex Daily!

A blast, a Good Time at Da Moviesh.

May never understand, though, why the cultural reaction to "Inception" at the time was for everyone to talk constantly about how confusing and impossible to understand this is when, like, it's genuinely constantly explaining itself over and over, restating its rules, its goals, to the point that the dialogue only occasionally actually does anything else.

in reply to Alex Daily!

Everyone here sort of doing the cinematic equivalent of top-tier sports, in that everyone is very good at what they do, it's all genuine best-to-ever-do-it performances at every level of this, but it's also kind of just another game, just another race. It's not like Usain Bolt is suddenly growing wings.

If you know what I mean.

in reply to pending handle 🎏

@kurt If Red Bull stunts could happen unannounced in the middle of normal sporting events, I might watch more sports.
in reply to Alex Daily!

It was really trippy to experience having read that one story in a donald duck magazine as a kid and then like eight years later Christopher Nolan makes an unofficial adaptation of it.
in reply to Owlor

@Owlor Right? Like how Indiana Jones is just a guy who goes on Scrooge-style treasure hunts.
in reply to Alex Daily!

I've been selective with what I do and don't watch before listening to @96greers -- I don't think I need to see "The Key Man" to know I don't need to bother with "The Key Man" -- but, even though I haven't seen "13 Going on 1" through "13 Going on 29," it's --

#291, or #2253, 2004's "13 Going on 30."

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us trying to convince listeners to watch The Key Man

Alex Daily! reshared this.

in reply to 96 Greers

@96greers A clown you can't trust doesn't have to look like a clown, it can just be clown behaviour.
in reply to Alex Daily!

Let's find out if the idea of there being a Fletch works better for me if he's Jon Hamm instead of Chevy Chase, it's --

#292, or #2254, 2022's "Confess, Fletch."

#292 #2254
in reply to Alex Daily!

Bit of a pileup in my podcast app this week, so today I should probably watch something that doesn't make me have to listen to any more, ergo, it's --

#293, or #2255, 2003's "X2."

#293 #2255
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The movie that dares to ask, what if there was a Nightcrawler.
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:xmen: #293: "X2" (2003)

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There's more here that doesn't work than in the first one, but right up until the end, which tries to do things it can't and shouldn't, I'm basically having a good time the whole way through, still? Enjoyed it.
in reply to Alex Daily!

yeah! totally fine movie only negatively impacted by it's overabundance of amibition
in reply to 🇹 Ti

@The_T It tries slightly too hard to be slightly too much bigger than the first one but is totally fine!
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:xmen: #293: "X2" (2003)

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One of those where we saw the trailer and went "yeah, we'll go see that," leaving now to go see --

#294, or #2256, 2025's "Caught Stealing."

#294 #2256
in reply to Alex Daily!

spoiler alert: Austin Butler managed to drop the Elvis accent
in reply to Blue

@blue Phew. For a little while there I did genuinely worry about how much he seemed to be stuck in it.
@Blue
in reply to Alex Daily!

An enjoyably chaotic crime flick that makes a real case for an enjoyably chaotic life of crime also being very, very miserably sad to live. Great cast, who all really fill in the fairly broad stock characters and make them feel really lived in. Good cat.

Didn't appreciate the completely unironic, undeconstructed, uncritical fridging. What is this, 1998.

in reply to Alex Daily!

This might be the movie with the longest title I've ever watched? It's --

#295, or #2257, 1964's "Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb."

#295 #2257
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Well, that was unlike anything else I've ever seen. Hysterical. Sickening.

I'm gonna go take out the trash and maybe stare into the distance for a bit.

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Very curious to find out if this still works on the big screen, leaving now for a screening of --

#296, or #2258, 1995's "Toy Story."

#296 #2258
in reply to Alex Daily!

Woody as the violent enforcer of a police state over which he rules. The worst thing they can imagine being a land of freaks and outcasts who are merely living a hard life on their own terms. The imposition of existential terror on Sid, a child who could never have known and was showing real creativity. Mr Potato Head's mob justice a reasonable way to protect his community.

But also, it's "Toy Story," and I'm 34, so a nostalgic "this is fun" beats my ungenerous read. It's fun! It's "Toy Story"!

in reply to Alex Daily!

Looks, honestly, better than I was expecting it to do on the big screen in this, the Year of Luigi.

Sure, you can see every pixel on any texture the camera gets too close to, they're a lot better at some materials than they are at others, and the picture's ambitions re: facial expressions far exceed its technical ability re: facial expressions.

(Maybe never look at Bo Peep's mouth.)

in reply to Alex Daily!

But it all moves fast enough, is exciting enough, is tightly constructed enough, and is *fun* enough that I land firmly at, who cares, it's *Toy Story*, this is great.
in reply to Alex Daily!

Lot of classics screenings lately, leaving now to go see one of those I've always wanted to see on the big screen --

#297, or #2259, 1965's "The Sound of Music."

#297 #2259
in reply to Alex Daily!

Obviously I've seen this before, and obviously I'm somebody who is easily swayed in a film's favour by its culturally large and iconic position, anyway. Like, there will always be some part of me going, of course this is good, those are the songs I've heard all my life.

So did I have a good time seeing this on the big screen with a full room? Obviously I did. It's "The Sound of Music", who doesn't have a good time with "The Sound of Music".

in reply to Alex Daily!

Obviously there's stuff here that has aged unpleasantly, like the way to solve a problem like Maria conveniently turning out to be a big traditional marriage to a man with lots of kids, which she later refers to as coming to "belong to him," like property.
in reply to Alex Daily!

But what really resonated, what put this butt in the seat today, is obviously the Nazi stuff. Captain Von Trapp's utter rejection of a dark future sold to him by many as unstoppable, projected in front of me two days after my own country's government passed a (fruitless, far-right virtue-signalling) motion to declare "Antifa" a terrorist organisation, obviously hits.

(If you're anti-antifascism, what does that make you? Oh, right.)

Kill all Nazis. (And fuck Rolf specifically.)

in reply to Alex Daily!

You know, I feel like a wok isn't really a pan. I don't know what it is, but it feels like its own thing.

It's more like a pan than it's like a pot, since you heat food by direct surface contact with the wok, but it's something in between.

in reply to pending handle 🎏

@kurt But you'd surely only really use it for pan things, and not really for pot things. Would you boil some water in a wok? Preposterous.
in reply to Alex Daily!

You wouldn't, but you *could* surely. Mechanically it's quite capable.

I think we should call woks non-homogenous mass cooking devices, to differentiate them from the homogenous mass cooking devices known as pots, and pans which is more of a separate individual units cooking device.

Quite catchy too.

in reply to Alex Daily!

But pans would also be non-homos!

(Now there's a post that needs context to make sense. And even then.)

in reply to Alex Daily!

What if there was a train and people did violence on it, would that be fucked up and usually very watchable or what, it's --

#298, or #2260, 2023's "Kill."

#298 #2260
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These guys speak a very English-filled Hindi, which means they sound more like how I talk than most Dutch movies do.
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Sold Wickalike on a train. The stakes are very simple, and a lot of people do a lot of violence about it. Just when you think, wow, this is very violent, the picture escalates and the people do even more violence.

Just a good One of These!

in reply to Alex Daily!

Certainly sounds like a fun movie.

Sometimes I just like an incredible amount of violence in a movie.

in reply to Santa Sponge Has Moved🏳️‍🌈⛄⛄

@retrosponge Yeah, it's a fun one of that type of thing -- by the end, even the main bad guy is just baffled and awed by just *how* much violence just happened.
in reply to Alex Daily!

There's been a few, I assume Hindi, tech videos I've started watching where it took me a minute to realise it wasn't actually in English.
in reply to pending handle 🎏

@kurt I don't want to say I could fully grasp the nuances of these conversations without subtitles, but there's enough English here that I definitely wouldn't be as lost as I would be with, say, a Russian or Chinese movie.
in reply to Alex Daily!

The reviews are more like “Honey Don’t Bother!” but I also liked “Drive-Away Dolls” more than most seemed to, so, already seated for —

#299, or #2261, 2025’s “Honey Don’t!”

#299 #2261
in reply to Alex Daily!

I think many of the individual elements here are great, and I'd even say what some are calling "narrative incohesion" is to me more "a compelling stylistic choice," but it does all fall completely apart the closer it gets to that absolutely catastrophic Aubrey Plaza performance.
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🕵️‍♀️ #299: "Honey Don't!" (2025)

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Some movies just seem like I shouldn't watch them at my desk, you know? So I'm gonna do a digital rental and sit down and watch on my actual TV --

#300, or #2262, 1968's "2001: A Space Odyssey."

#300 #2262
in reply to Alex Daily!

Like, I mean, I have, visually speaking, because everyone and their dog has ripped this off for twice my lifetime, and in terms of story you could easily deliver this as a fairly dry pulp sci-fi short story, but by Calliope's lyre, the tone of this thing.

The willingness to sit with something, show you something, the willingness to be silent, to just spend time with people on their own, just breathing.

in reply to Alex Daily!

Does anything actually happen in this? Man invents rage room. Man goes to meeting. Man accidentally promts ChatGPT into killing his roommate. Man turns into old man, then into smaller yet larger man.

Does it make sense? Does it have to?

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Acting class tonight, so this afternoon while doing transcripts I watched —

#301, or #2263, 2025’s “My Dinner with Skinner,” a feature-length “Steamed Hams”/“My Dinner with Andre” parody.

:youtube: 🔗 youtube.com/watch?v=pk-Oq8iYtV…

#301 #2263
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Genuinely the most effort I’ve ever seen put into what is, at the core, a shitpost. The recounting of “Simpsons” episodes I’ve never seen from Skinner and Chalmers’ perspectives a great, funny choice. Real commitment to the bit.

Maybe falls apart a little when it actually has to do “Steamed Hams.”

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I watched a 7-episode OVA this is a sequel to just because one SD Gundam short premiered before this, then never actually watched this, so let's get that over with before I get back to actual Gundam, it's --

#302, or #2264, 1989's "Patlabor: The Movie."

#302 #2264
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hell yeah late 80s movie-tier animation

they shilled out for the frames on this baby

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A major urban planning overhaul of Tokyo called the... Babylon Project? Artificial islands? Yeah, that definitely won't go wrong.
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The movie that dares to ask, what if there was an orange clock, it's --

#303, or #2265, 1971 Kubrick picture "A Clockwork Orange."

#303 #2265
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All I know about this one is people were weirded out about the Clockwork Orange guys showing up in the background of Space Jam Deux.
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just gonna go ahead and disavow the actions of my fellow Alex here, whatever those actions may or may not turn out to be
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Can not fathom pitching even one of the three scenes so far to an executive and getting told "yeah, go on, make that."
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🕑🟠 #303: "A Clockwork Orange" (1971)

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The first half is a real rough hang and the second half is such a lecture on its themes that, like, yeah, it's well-made, it very effectively does what it sets out to do, but what it sets out to do is ultimately just a bit... basic.
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Another day, another battle, just battle after battle after battle, leaving now to go fight --

#304, or #2266, 2025's "One Battle After Another."

#304 #2266
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Great flick. Nearly three hours long, but never feels like it, because you're just constantly in perpetual forward peril, you're always with them, you're always in the car, you're always on the run, for every alienating mirage-generating highway hill, for every tumble down the side of a building. Such a clear view of the modern world.

(I, too, would forget those codes, dude.)

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The hints for this month's Mystery Classic are

* "MM"
* "Thumbs up."

so if that's not 2000's "Gladiator," I'm a penguin.

Leaving now. #305, or #2267.

#305 #2267
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It's long, brutal, relentless, and really fucking good. The Mystery Classic was indeed 2000's "Gladiator."
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The world is massive, but the stakes ultimately so small and personal, this is how you do a big historical epic. And how good all of this is really puts into stark relief just how unnecessary 2024 legacy sequel "Gladiator II: Gladiator Again" feels. It was done to perfection here, and with a few exceptions -- Denzel -- none of it really needed adding to or heightening or doing again.

Great flick.

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At some point I realised my reward for catching up on these would be to get to look at Jared Leto on the big screen for two hours, which you understand did put me off the idea of catching up at all for a while, anyway, it's --

#306, or #2268, 2010's "Tron: Legacy."

#306 #2268
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Dislike when fictional characters monetise the one thing that happened to them strictly accurately so in the sequel they can just have the poster for the first one up. There should be /some/ data loss.
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Deeply flawed film that insists on jumpscaring you with a de-aged Jeff Bridges several times, but like, as a vibes piece, as a light and sound show, this thing kinda honks?

Not when anyone has a conversation, you understand, but the rest of the time, yeah.

in reply to Alex Daily!

I forgot to end the #MovieThread again. This concludes the September 2025 one.

:beepboopone: Next thread: beepboop.one/@Alexis/115310169…


#MovieThread VI: The Past Is An Undiscovered Country, Chapter Ten — October Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 306, for a total of 2268 movies.

* Wrapping up Stanley Kubrick.
* Not a bad month to do Henry Selick in.
* Probably some horror.

:beepboopone: Previous thread: beepboop.one/@Alexis/115135887…


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💣 #295: "Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb" (1964)

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