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#MovieThread VI: The Past Is An Undiscovered Country, Chapter One — January Edition

From 2020 to 2024 I watched 1962 movies.

Major projects this year:
* Still catching up on movie podcasts.
* Really wanna go through a bunch of letterboxd watchlist.
* What if I watched... all of these? letterboxd.com/jacob/list/clos…

:beepboopone: Previous thread: beepboop.one/@Alexis/113579236…

in reply to Alex Daily!

What better way to ring in the new year than with a Best Picture-nominated sequel to a boring Best Picture-nominated movie where Bing Crosby was a priest or some shit, it's --

#1963, or #1, 1945's "The Bells of St Mary's."

#1 #1963
in reply to Alex Daily!

The Academy simply could not get enough of Father O'Malley, a man I was tired of after about thirty minutes.
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🔔 #1: "The Bells of St Mary's" (1945)

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🔔 #1: "The Bells of St Mary's" (1945)

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Surprisingly watchable, but takes a few turns at the end that land poorly to my critical modern eye.
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🔔 #1: "The Bells of St Mary's" (1945)

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I see less than one Dutch movie a year, but the trailer for this one made it look funny enough to bother with, leaving now to go see --

#1964, or #2, 2024's "De Jackpot."

#2 #1964
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@kurt I was gonna watch De Lift, but the copy I'd downloaded only had the American dub.

(You know, maybe I should.)

in reply to Alex Daily!

Throws enough jokes at the wall that, well, even if some of those jokes were homophobic shit I thought we really didn't say any more, and the one major runner is calling him a fatso, that, look.

Bad movie, never watch this, but I dunno, I laughed quite a lot.

in reply to Alex Daily!

Also, frankly, shocked to find out that the target audience for this is apparently 9-year olds? The cinema was full of them??? Like, it's rated 6?????

I'm so used to American films, where if they say "fuck" twice it's considered obscenity and this is just swears and dildos and quite a lot of sex talk all over the place? It's rated 6???

...Honestly, this explains a lot about the kids I've worked with.

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My understanding is this is mostly people talking to each other at Thanksgiving dinner, it's --

#1965, or #3, 2021's "The Humans."

#3 #1965
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I would simply not go to Thanksgiving dinner. (Easy, we don't do that one here.)
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Only 4 minutes in and things are going... bump in the afternoon?
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👩‍🦰👩👩‍🦳👩‍🦳👨‍🦳👨 #3: "The Humans" (2021)

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Definitely Richard Jenkins, I mean, definitely no one in the cast.
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@kurt You know, I never figured out why the internet is always so mean about Amy Schumer.
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From what I remember: woman, comedian, probably stole some jokes at some point, she's also the niece of a democratic senator but I don't know if that plays into it.
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@kurt I honestly think it's just that chumps on the internet are basically always weird about women one way or another, doubly so if they're successful and don't fit into those chumps' beauty standards.
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The picture that dares to ask, what if there was a Mikey /and/ a Nicky, it's --

#1966, or #4, 1976's "Mikey and Nicky."

#4 #1966
in reply to 🇹 Ti

Yeah, he's Average Height Nicky now and teams up with Short King Mikey (Peter Falk.)
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This is the last Elaine May movie I ain't seen yet -- I saw "Ishtar" March 25, 2022 and thought that, though it doesn't really deserve its reputation, it was still pretty dull.
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Never really seen Peter Falk play anything but Columbo, I think here he's more of a New York type of guy. A little more aggressive.
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👨👨 #4: "Mikey and Nicky" (1976)

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👨👨 #4: "Mikey and Nicky" (1976)

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A good old-fashioned weepy, but one where everyone involved seems exactly overqualified for the assignment, leaving now to go see --

#1967, or #5, 2025's "We Live In Time."

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in reply to Alex Daily!

Incredibly well-made, the nonlinear structure carrying you along a river of emotion, and though it occasionally tries to drown you, you're always in good hands with Pugh and ol' Wet-Eyes Garfield.

Impossible not to fall completely in love with both of them. (Go. Try.)

in reply to Alex Daily!

Besides those performances, the nonlinear nature of the picture is really why it works at all? You're constantly paddling between utter destruction and incredible joy, when, like, what's the linear alternative? Just a straight line to the end? Nah.

Solid ol' tearjerker, everyone really kind of overqualified for the assignment.

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(I'm absolutely not this kind of person, but I'm sorry, that ice rink is in London, not Rome. The Alexandra Palace one. Shows up in movies all the time.)
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Whose inferno? It's --

#1968, or #6, 1911's "L'inferno," or "Dante's Inferno," the first-ever feature length Italian motion picture.

#1968 #6
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My expectation here is this is more of a tone piece, an adaptation to the moving image of the visuals of "The Divine Comedy," and that they're maybe not entirely sure yet how to actually convey a real 70-minute narrative.
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Movies, like every other narrative art, took a WHILE to really figure out -- just watching the Best Picture nominees, the 10s are a totally different beast from the 20s and the 20s a totally different beast from the 40s, after which a lot of stuff sort of settles down.
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🔥 #6: "Dante's Inferno" (1911)

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Gorgeous and impressive.

They do kind of fucking pull it off, don't they.

Not sure if I'd recommend this to anyone if they're not already into this kind of thing, and if you are, you'll just feel yourself drawn to this eventually, anyway, I think. But this is great, it's all really very powerful stuff.

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There's like a dozen of these and the fifth of them isn't even the final one with this cast, but okay, it's --

#1969, or #7, 1989's "Star Trek V: The Final Frontier."

#7 #1969
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"I don't believe you'd kill me, for a field of empty holes."
"All I have."

well they've got to be somebody's empty holes, I guess

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my god jim you're 53 why am I watching a stunt double pretend to be you doing Free Solo shit
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:trek: #7: "Star Trek V: The Final Frontier" (1989)

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I get why people don't like this one -- it's pretty thin, it's kinda been done, it doesn't really go anywhere -- but I dunno, I'm just never gonna hate one of these.

I'm always gonna have a good time catching up with my good pals the crew of the Enterprise.

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I'm not as into Luca Guadagnino as I feel like a lot of people are -- his work is so much about bodies moving in spaces both real and relational, always well-made, never super my jam -- but alright, leaving now to go see --

#1970, or #8, 2025's "Queer."

#8 #1970
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Chapter One is basically a remake of "Call Me By Your Name" -- men used to less fulfilling things colliding, their bodies collapsing into a brief, intense moment -- but then Chapter Two and Three either lose the plot or find it? Hard to tell. Odd film. Good, though. An interesting meal.
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Would fall just ruinously apart without Daniel Craig to anchor it -- amidst a very small number of performances of any substance at all, Craig and Jason Schwartzman deliver whole people, while Drew Starkey practically fails the Sexy Lamp Test.

(Whenever Jason Schwartzman wasn't on screen I was asking, where's Jason Schwartzman?)

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Don't remember what this Hitchcock film is meant to be about, it's --

#1971, or #9, 1945 Best Picture nominee "Spellbound."

#9 #1971
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"Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane."

well this has aged either surprisingly well or like a turd in milk, no in-betweens on this one

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I understand this is the last of only a few times a Hitchcock film gets nominated for Best Picture -- at some point he really deserves his own closer look.
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God, Bergman. She must be bad in /something/, but I've yet to see it happen.
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👩‍⚕️ #9: "Spellbound" (1945)

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Rock solid melodrama, Hitchcock really fucking makes you give a shit, and Bergman is great here as the one sincere therapist in a cultural minefield of jaded dickheads.

I still say she didn't need to go quite that hard, though.

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I don't remember why I watchlisted this, but it's the lowest-rated thing on my watchlist that's available on a streaming service I have access to, let's find out if this movie about a friend group losing track of their pal's severed penis in the middle of the woods is as bad as the consensus seems to be, it's --

#1972, or #10, 2018's "The Package."

#10 #1972
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🍆 #10: "The Package" (2018)

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Bad! Third act really drags it out far too long, which is impressive at 90 minutes. But I dunno, a laugh is a laugh, it got a few good ones outta me.
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See, *this* is what George Lucas should be doing with his Disney Billions, make small indie flicks about severed penises.
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The only reason I haven't seen the 2024 one yet is today I'm seeing the original with live music, leaving now to go see --

#1973, or #11, probably the oldest movie I'll ever see properly on a big screen, 1922's "Nosferatu."

#11 #1973
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that owns, that this is a thing over there you can do. Curious to hear about it.

The oldest movie I've seen in theaters was Back to the Future 1, they re-ran it for it's anniversary or something.

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@The_T Yeah, it does! Exactly what the Forum is for! (I should really pay more attention to their schedule, but also, oof, ticket prices.)

The oldest I'd seen in a theatre before now was probably "Jaws"? Or "Touch of Evil" if movie night at art school counts.

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we do not have anything called a forum in the US; that's just what web forums are called
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why does it look like when I cut slices off a block of cheese with no regard to order
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Had no idea what to expect seeing this at the Forum with live piano accompaniment, but hey, that ruled. Great experience, love da moviesh!
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The film itself is, obviously, a timeless classic. Considering just how silly some of it objectively is, it's incredible how much of it doesn't just work but still feels scary, horrifying, oppressive as fuck.

(And as a film about a plague, shockingly timely and relatable.)

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The live score, composed and performed in front of us on a piano and a laptop by Kevin Toma, plays into this atmosphere perfectly -- I don't know what musical decisions other composers have made, but "hypnotic discordance" is exactly what this needs. Impossible to imagine it any differently.
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At first it /is/ weird that half the experience is there as a person in the same room as you, when you're used to the picture being, uh, a more passive part of the experience of cinema, but then almost immediately it clicks into place as, oh, this is exactly what this should feel like.
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As an adaptation of the Bram Stoker novel, this is some of the most violent copyright infringement you've ever seen. They tried to file off these serial numbers but you can read them from the /moon/. Truly they just fucking /went for it/.

Great adaptation, though. Really nails all the good bits, makes sensible choices, and deftly adapts it to the German setting.

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I find it amazing the film survives. Beyond just it's age, Stoker's widow sued for copyright infringement and won, with part of the judgement being that all copies had to be destroyed!
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@SKleefeld And it only survives now because people just... kept copies. Kept circulating the reels. A victory for piracy if ever there was one!
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This was explicitly made as "morale-boosting propaganda" on Churchill's orders, and now, somehow, 81 years later, it's /my/ problem, it's --

#1974, or #12, 1944 Best Picture nominee (in 1946, because it took that long for it to come out in America,) "Henry V."

#12 #1974
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terrific model of Shakespeare's own London in the 1600s, great fake aerial footage this

you can imagine somebody in 1944 Britain wondering how they did that, and somebody in 1946 America not realising that's not actually what London looks like in 1946

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Opening on the Globe in Shakespeare's time, a performance of Henry V about to kick off, not a framing of Shakespeare I've seen a lot

actually, "framing an adaptation of a play as a performed play inside the adaptation" was a common device in those old Mickey comics where he and friends starred in an adaptation of a play

they should do more of those

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1600s location title card, huh

is this real, is this a real thing they did in Shakespeare times

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👑 #12: "Henry V" (1944)

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👑 #12: "Henry V" (1944)

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Good, and I enjoyed it -- the play is solid, Olivier has an eye for it, found it easy enough to follow -- but after that first half hour it does lose quite a bit of what I am told the kids call "the juice."
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I did not remember the fifth one as much as I feel like I would have if I'd actually seen it, so there's a real chance I haven't seen this one, either, it's --

#1975, or #13, 1991's "Star Trek VI: The Undiscovered Country."

#13 #1975
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Michael Dorn? Oh, right, he plays Worf's identical twin grandpa in this one, or somethin'.
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Sulu's captain's chair has a little table in front of it for his tea to fall off of.
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"What are we doing here?"
"Maybe they're throwing us a retirement party."

I think you'd have to throw Jim a retirement *intervention*, frankly.

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:trek: #13: "Star Trek VI: The Undiscovered Country" (1991)

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it was never gonna beat "Voyage Home" as my favourite, but this is as respectable as a final outing is gonna get, even if I do wish it had some more of the light character work going on I liked from "Final Frontier"

but where that was a fun visit with old pals, here it's nice to get to see them go out on top.

weird to still have had an unseen adventure with this crew. I'll miss 'em like nothin' else.

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re: :trek: #13: "Star Trek VI: The Undiscovered Country" (1991)
Saw it in theaters. Can't remember the plot specifics. Just that I was enraged by there being a scene in the galley of the Enterprise (?!).
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re: :trek: #13: "Star Trek VI: The Undiscovered Country" (1991)

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re: :trek: #13: "Star Trek VI: The Undiscovered Country" (1991)
Of course they COULD. But the Enterprise did not.
Yes, I had a stick up my butt at the time.
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One of the more confusing Trek episodes was when in TNG (I think), the actors who'd later portray Tom Paris and Tuvok on Voyager were completely different people...
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@anke David Warner is back in this one, too, as somebody different than he played in the last one. Some franchises just find somebody they like and stick with them.
@Anke
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103 years between them for the world, 3 days between them for me, leaving now to go see --

#1976, or #14, 2024's "Nosferatu."

#14 #1976
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A lot of the big choices here are objectively just improvements on or great extrapolations of the 1922 film.
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🧛‍♂️ #14: "Nosferatu" (2024), descriptions of changes from the 1922 film

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The cast are mostly terrific -- Aaron Taylor-Johnson, not on the same level -- and it's incredibly well shot, more deliberately lit than almost anything coming out of Hollywood these days. It made sense of a few things for me that I didn't quite get in the original.
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There's really very few meaningful missteps for me -- Orlok needs to fucking shave, Hutter should not be /that/ scared shitless that soon, I get the thing of death/sex it's doing but I don't like it -- and I totally get why people mostly think this is great.

And yet.

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I just didn't connect with it. Maybe it's the Eggers hardcore history thing of it all, maybe I just can't help compare it to a bunch of really, really iconic classics.

Maybe, as I'm thinking about it, it's that it doesn't really have anything to /say/.

I get why people like this, I really do. But it's "Nosferatu" for the sake of "Nosferatu."

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Fake pain? Not for me, thanks. Leaving now to go see --

#1977, or #15, 2025's "A Real Pain."

#15 #1977
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Threads the needle very well between being a heartfelt, meaningful picture about dealing with grief and loss, and what place that has in your life at a time when it's both so far away and so close at the same time -- and being a thoughtful indie comedy about going to Poland to do a Holocaust tour with your weird cousin.
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When it wants to be funny it's funny, and it never feels jarring to be pulled out of it. Or, well, when it jars, it's because it's meant to. Manages to get to some really raw stuff very well. I'll think about that visit to Majdanek for a long time.
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(Kieran Culkin deserves every award he gets for this, but to say he's supporting is ridiculous. Yeah, it's the Eisenberg character's perspective, but it's Culkin's film in every other way.)
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I remember putting this on once and, for one of the few times in my life, turning it off.

(This was years ago, before I started counting, you understand.)

But Blank Check have covered it and thus so must I, starting and concluding Joseph Gordon-Levitt's feature directorial filmography at the same time, it's --

#1978, or #16, 2013's "Don Jon."

#1978 #16
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the calendar divide of BC (Before Counting) and AD (Alex Daily)
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It's been a while, it's my birthday, let's catch up on some Nic Cage movies that didn't get released in cinemas here, it's --

#1979, or #17, 2022's "Butcher's Crossing."

#17 #1979
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This is his other Western, after "The Old Way," which I felt was sort of just a Western for the sake of doing a Western, old school without reason. People told me this one was the better of the two.
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"Maybe you could send me out with one of your hunting parties, sir."

that line of thinking is how you end up returning, having changed, kid

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:cage: #17: "Butcher's Crossing" (2022)

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Cage, at his subdued finest, and Hechinger are great, it all looks terrific, and a strong message about greed and what it does to a world to try to squeeze every possible drop of profit out of it does a lot of the work here, but fundamentally the picture just doesn't quite know how to establish motivations or ratchet up the tension.
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that emoticon head was so small on my screen that for some reason my mind filled it in as Doomguy
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would he really be better than Karl Urban though (I haven't seen that film)
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@The_T I haven't, either, so I dunno about better, but I think Cage could do a fine job as the grunting man with the large weapons.
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Nic Cage could be like the guy who gets in Doomguy's head, fills him with self-doubt. Whether it's just like the memory of a dead scientist haunting him or something like that
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A common delineator of the west is the Mississippi river, and by that metric, yes.
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Every place is to the west of something.
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Alex Daily! reshared this.

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We saw standalone followup "Missing" at Sneak Preview once and then I never went back to see this first one, it's --

#1980, or #18, 2018 screenlife thriller "Searching."

#18 #1980
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This Windows XP computer's wallpaper is a knockoff of the actual Windows XP wallpaper. Taken right out of it. Disbelief unsuspended.
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Jokes aside, these things live or die on whether you believe the digital environment they portray, and I found "Missing"'s screens very believable, very real, very solid.
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This one I can pause, you better believe I'm typing in some URLS.
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"Jason Momoa in a Little Nemo in Slumberland movie" feels exactly like "Jason Momoa to play Frosty the Snowman," except this is, I wanna say... real? It's --

#1981, or #19, 2022's "Slumberland."

#19 #1981
in reply to Alex Daily!

"People think dreams are an escape."

lemme guess

"But that's not true."

there you go

in reply to Alex Daily!

The thing about Little Nemo in Slumberland is, boy, that's not a comic strip that lends itself to a standard YA hero's journey coming of age picture, is it.

That strip plays with the form, doesn't really have much of a narrative running through it, and is, honestly, weird, even by today's standards.

And yet here we are.

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Ten minutes in this kid has lost her dad at sea and has to learn to deal with the grief of that loss while also figuring out how to live with her uncle.

Wonder whether an adventure with Jason Momoa will impart some wisdom that will help her on that journey.

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In a way, 2022's "Slumberland" perfectly captures one specific thing about dreams -- it was simply not /made/ to be remembered.

Soulless, lifeless trash. Sludge devoid of all meaning. Kyle Chandler alright in it.

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I enjoyed Mr Eisenberg's second feature, "A Real Pain," recently, and so will now engage with his other film and directorial debut, it's --

#1982, or #20, 2023's "When You Finish Saving the World."

#1982 #20
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Finn Wolfhard plays a music streamer on a service called "HiHat," Julianne Moore plays his mother, Woman Who Does Not Understand What That Means.
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His dad mostly thinks it's unethical for white people to play blues music, a genre Finn Wolfhard is not streaming on HiHat.
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🎸🌐 #20: "When You Finish Saving the World" (2023)

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Is that even A Thing? It sounds like a Gen X writer making up pirate radio, but digital.
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@kurt It feels like Eisenberg heard of Justin dot TV once and went, what if that but for music.
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This time twelve months ago we were already on our second Sneak Preview of the year, leaving now for the first one of 2025.

#1983, or #21.

(Sneak Preview is, they show you a movie that isn't out yet. You don't know which one until it starts.)

Filing my guesses: "Flight Risk" is out tomorrow. "A Complete Unknown" has been out other places for a bit.

#21 #1983
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It was neither of those -- the first Sneak Preview of the year was 2025's "Inheritance," a real shitter by "Divergent" and "Marsh King's Daughter" director Neil Burger.
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Conceived as something plausibly shootable on iPhones in a pandemic, this lo-fi digital video aesthetic would totally work for a globe-trotting spy thriller if it wasn't saddled with this incredibly dull script -- predictable at every step, everyone says every emotion out loud, and refuses to elaborate on every motivation -- and a cast recruited from a home improvement store's box of leftover plank scraps.
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Even the better sequences are incredibly flawed -- a motorcycle chase through Delhi occasionally manages to thrill when it isn't stuck in over-long close-ups on the protagonist's face. And, speaking of, for a character we're so literally close to the whole time we sure never get into her head, we never learn a thing about her as a person except that she's sad her mom is dead.
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If you want unembellished footage of real streets in New York, Delhi, Cairo, or Seoul badly enough to go see this, just put on some travel YouTube instead.
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I'm pretty tired, so maybe I'll find this nearly 3-hour drama about readjusting to life at home after coming back from the War... relatable? It's --

#1984, or #22, 1946 Best Picture winner "The Best Years of Our Lives."

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I would simply readjust to life at home after coming back from the War.
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🦅 #22: "The Best Years of Our Lives" (1946)

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A few affecting scenes and generally really solid shot composition can't save this one from being dull and far, far too long. Though it does pick up a little when that Nazi sympathiser gets his ass handed to him.
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I would simply marry Rosie the barmaid and tend to the garden.
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@kurt I was gonna say, unfortunately capitalism, but all of these men drink like there's a sale on, Rosie is making a killing.
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I saw this almost exactly two years ago, and still I've never seen "O1e," 2wo," Thr3e," "4our," Fi5e," or "6ix." Leaving now to go see the 30th anniversary rerelease of --

#1985, or #23, 1995's "Seven," "Se7en," or, "SeSevenen."

#23 #1985
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The City, unnamed, but like if Los Angeles had a Gotham, a Hell perfectly designed for a Satan to perform in, drawing you down, layer after layer. His surrender a bow that precedes an encore, the final thing that destroys you, having chipped away until there's no lifeline your guide can throw you to get you out.

Good movie.

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Did, this time, try to play the game of, if I hadn't seen this before, who would I think Did It. And it has to be Mills, right? He moved there right before, actively wanted to get transferred there... Sus shit, man.
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I adored Star Trek: Discovery, and so, it's --

#1986, or #24, 2025's "Star Trek: Section 31."

#24 #1986
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Star Trek (my corners of it, anyway) is at this point one of those things I can't entirely be normal about.
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I didn't have a bad time with this, it's a watchable hour and a half of Star Trek action nonsense with Michelle Yeoh in it, but

yeah, it /is/ all a little thin, isn't it, and I wish it had a little more of a point, a little more of something to /say/, besides "we have Michelle Yeoh under contract at the exact moment she's become a globally beloved Oscar winner."

in reply to Alex Daily!

tbh I got the feeling that was the reason they made the movie just from the trailer alone. CBS is riding that EEAAO wave, ig
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@luna I mean, any exec worth their salt would and should push to get out a new Michelle Yeoh project if they could. Of course they would! I get it!

I just wish it was... better.

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Leaving now to catch my 10:15am flight to --

#1987, or #25, 2025's "Flight Risk."

#25 #1987
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Some of the most SNL sketch-ass establishing shots I've ever seen in this, and there's a moose in an early scene that I think might be a cousin of the Bad CGI Gator from "Bad CGI Gator,"

but once the picture gets into the plane, it settles down comfortably into a pretty watchable mode of nonsense? Still very much nonsense, though.

(Also, uh, it's a weird amount more about Wahlberg threatening to do unspeakable sex things to Topher Grace than you'd think.)

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My understanding is that there are boyz, and that they are n the hood. Starting John Singleton, it's --

#1988, or #26, 1991's "Boyz n the Hood."

#26 #1988
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This is another one of those folks Blank Check cover where I've seen only the director's franchise work.
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🚗 #26: "Boyz n the Hood" (1991)

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🚗 #26: "Boyz n the Hood" (1991), American politics

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This year for the movies me and David make each other watch, we're doing theme months -- for Dry January, I made him go see the 2024 "Nosferatu," and for, *squints at notes* the 80th anniversary of the liberation of the Auschwitz-Birkenau concentration camp, he's making me watch --

#1989, or #27, 2001's "The Grey Zone."

#27 #1989
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#27: "The Grey Zone" (2001)

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Tuesday! Sneak Preview! Leaving now!

#1990, or #28!

Best case: "A Complete Unknown."

Worst case: "Marked Men."

#1990 #28
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Multiple times today I've said "it won't be 2025's Companion, because it's never Warner Bros," but I forgot about the subdivision exception -- it's not Warner Bros, it's /New Line/.

Anyway. Sneak Preview was 2025's "Companion."

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A well executed picture in the space it plays in, this one'll keep you on your toes even if you think you know the twist -- Sophie Thatcher really has you rooting for what might, in lesser hands, have been the narrative equivalent of a loaded gun that goes off a few times.
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Trying not to fall into clichés, but I'm sleepy, so Good For Her Cinematic Universe etcetera. Enjoyed this.

(Knew exactly -- exactly -- how it was gonna end from the moment they walk into the house.)

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The picture that dares to ask, what if there was not just a Mr but also a Mrs Smith, it's --

#1991, or #29, 2005's "Mr. & Mrs. Smith."

#29 #1991
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I adored the recent TV reimagining with Donald Glover and Maya Erskine, but have never seen this.
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🕵️🕵️ #29: "Mr. & Mrs Smith" (2005)

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All I know about this one is I added it to my watchlist on September 20, 2022 on @anke 's suggestion, it's --

#1992, or #30, 1997 German film "Bandits."

@Anke
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Band practice in a women's prison? Already passing the "just show me something I haven't seen before" bar.
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⛓️ #30: "Bandits" (1997)
They've been asked to play the policeman's ball, presumably outside of prison. That's: The kind of thing you escape from.
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@Anke
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Excellent movie other people should watch.

Thanks again to @anke for the recommendation. :)

@Anke
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There's no way this 1946 Best Picture nominee about a boy and his little deer friend doesn't end with the deer dying, right? Surely that's how it ends. I'm going to assume that's how it ends. It's --

#1993, or #31, 1946 Best Picture nominee "The Yearling."

#31 #1993
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🦌 #31: "The Yearling" (1946)

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🦌 #31: "The Yearling" (1946), inhumane depictions of the violence animals do to each other, not even about the deer yet

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🦌 #31: "The Yearling" (1946), gross historical ableism that's probably still happenin', religion

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This concludes the January 2025 #MovieThread.

:beepboopone: Next thread: beepboop.one/@Alexis/113929817…


#MovieThread VI: The Past Is An Undiscovered Country, Chapter Two — February Edition

From 2020 to 2024 I watched 1962 movies.
In January 2025 I watched another 31, for a total of 1993 movies.

* Watchlist going terribly -- I've added more than I've watched.
* But we podcast movie and Best Picture nominee ever onwards.

:beepboopone: Previous thread: beepboop.one/@Alexis/113754217…


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@kurt This way I don't have to pick a list, I say, getting in my car that is definitely no longer road legal.