#MovieThread VI: The Past Is An Undiscovered Country, Chapter Six — June Edition
From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 172, for a total of 2134 movies.
* I'm kinda burning through Best Picture nominees, but the podcast I listen along to is about to severely slow down, so.
Previous thread: beepboop.one/@Alexis/114434267…
Alex Daily!
in reply to Alex Daily! • • •As I understand it, in this one John Wayne goes on a trip to what Americans /think/ Ireland is like, it's --
#173, or #2135, 1952 Best Picture nominee "The Quiet Man."
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"D'you see that road over there?"
"Yeah."
"Well, don't take that one, it'll do ya no good."
classic irish trickstery
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Since making the sensible choice to just go finish inking the page I'd started this afternoon, the picture has got worse.
It's all just miserable, backwards "traditional courting" garbo, and I do not feel like recapping it.
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the picture's sincere position on the issue of marital violence seems to be that the road to marital bliss is paved with beating the fucking shit out of your wife in front of the entire village.
why most of the reviews on Letterboxd seem to think this is a charming romance instead of a portrait of a violent wifebeater that takes the side of the wifebeater is beyond me
🇹 Ti
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It can't be worse than Square Enix's 2018 video game.
It became kind of a meme on Giant Bomb when it was first released, they did a full playthrough of it (by accident) during Extra Life.
Essentially the game was a bad 3D beat 'em up but the main character was deaf and to show this, the entire game was inaudible, even when it was clear the main character could understand what was going on or could read lips. The option to be able to hear the game audio was added in an update post-release.
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Captain | 🏳️🌈 🇨🇦
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Alex Daily!
in reply to Alex Daily! • • •Everyone said the "Succession" guy's AI tech bro movie was mid, so I watched it like I watched "Succession," which is to say, while doing something else, it was --
#174, or #2136, 2025's "Mountainhead."
Alex Daily!
in reply to Alex Daily! • • •I think this does capture very well how these types of guy /feel/ to us, looking at them from the outside, but I wish death upon these kinds of people even when I'm not in the room with them, so putting me in the room with just them for almost two hours really stretched my patience.
It's just exhausting, just relentless, even after the turn.
Alex Daily!
in reply to Alex Daily! • • •It really needed some kind of /relief/, I think, so it's not just two hours of guys you wish the life would drain out of while you look them in the eyes talking like they're better than everyone else.
But that's what it is, and what it is miserable.
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in reply to Alex Daily! • • •Starting Jane Campion with her TV movie debut, the movie that dares to ask, what if there were --
#175, or #2137, 1986's "2 Friends."
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"Well, someone ought't've done something."
I simply would've'd done something.
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February, five months earlier. One imagine this is where the split happens.
...Oh, right, summer, it's New Zealand.
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"Oh, I haven't seen you for ages!"
oh so another pretty big timeskip before-after this then
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This is all pleasant and watchable and captures these teenagers very well -- they feel very real, very solid -- and the picture extracts its core drama from them very well.
I'm not as familiar with Campion as I was with, say, Spielberg when I watched his TV movie debut, so it's hard to say what to take away from this one, but I hope the insight, the humanity, sticks.
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in reply to Alex Daily! • • •Sneak Preview!
#176, or #2138.
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in reply to Alex Daily! • • •Could easily have been very saccharine, and it does go there a bit, but it ends up finding the line at a very pleasant life-affirming sweetness that had my eyes wet for much of the picture. That first act did kind of have us all going "oof" at just how much it was throwing the apocalypse on our plates, though.
When we weren't laughing at every Charles ad!
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in reply to Alex Daily! • • •Rewatched --
#177, or #2139, 2017's "Downsizing."
Still fuckin' weird, still fuckin' slaps.
Alex Daily!
in reply to Alex Daily! • • •It's the movie that dares to ask, what if there was a Phoenician Scheme, leaving now to go see --
#178, or #2140, 2025 West Anderson picture "The Phoenician Scheme."
Alex Daily!
in reply to Alex Daily! • • •Wes Anderson-ass Wes Anderson movie. Comes in, Wes Andersons along pleasantly for approx. 102 minutes, then rolls the credits.
Hard, really, to assess a Wes Anderson at this point, when nobody else is doing anything like it. Is this one better or worse than "Asteroid City"? "The French Dispatch"? Is it better or worse than "The Quiet Man"? "Citizen Kane"?
I may be approaching something existential, let's not do that. Anyway, I liked it. A good time at the movies.
Alex Daily!
in reply to Alex Daily! • • •Given its simultaneous production with "Predator: Badlands," this one feels like Dan Trachtenberg maybe wasn't initially planning a direct followup in the "Prey" formula, but then everyone went "ooh, ooh, do a ninja one, do a viking one," and so Trachtenberg and Disney went "sure," it's --
#179, or #2141, 2025 animated anthology picture "Predator: Killer of Killers."
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"You seek gold and plunder, but tonight, think of only one thing."
snacks
"Killing the Krivich."
or killing the krivich, yeah, absolutely, killing whatever the krivich is
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"AVENGE ME!!"
i would simply not burden the next generation with my problems
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"What's the plan, Ursa?"
"I'm going to knock on the front door."
knock knock, surprise viking village inspection
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oh, not a teamup
...oh, lmao, the pistol
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Alex Daily!
in reply to Alex Daily! • • •Leaving now to go see the picture I understand is legally known by the unwieldy title --
#180, or #2142, 2025's "From the World of John Wick: Ballerina."
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I also didn't like how much the picture is A Girl One Of These — it never gets /too/ bad, but John's training montages don't feel like failure montages like this, John never gets told he's inherently weaker than most of his opponents and so should just kick'm in da nuts, John doesn't get saddled with a plot about protecting a small child.
(Which Ana de Armas, never the most emotionally compelling performer, visibly struggles to connect to.)
Alex Daily!
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In the end, these are little things that bother me in a movie that adequately does what you want it to do, which is deliver crunchy all-out fight scenes. It does that bit quite well.
But I wish they'd let her stand on her own two feet a little more.
Alex Daily!
in reply to Alex Daily! • • •Basically every Western that's been nominated for Best Picture has been sincerely one of the best to ever do it, and I'm sure this one's no different, it's --
#181, or #2143, 1952 Best Picture nominee "High Noon."
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Three outlaws ride into town to kill you at noon. You could run, but they'd just hunt you down. When you ask for help, everyone has their own reasons not to do it. Even your wife says she'll be on the train out of town with or without you.
...Is this about modern Democratic politics? The sherrif as the voter left in the lurch by the establishment, the outlaws mad Republicans?
Oh, wait, no, it'd be about the Red Scare, wouldn't it.
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Is every Western nominated for Best Picture just the most iconic and influential shit ever made? Because other genres do not have this hit rate in the land of the little gold men.
This one does actually suffer a little from the fact that I've seen, like, cartoons and sitcoms do it in 10-to-20 minutes, like, that does leave it feeling a touch sparse. But it's still a rock solid flick, very strong in its themes, handsomely staged and performed. Great recurring tune.
Alex Daily!
in reply to Alex Daily! • • •The only thing I know about this one is I've seen multiple people compare this to "Babe: Pig in the City," it's --
#182, or #2144, Jane Campion's 1989 feature debut, "Sweetie."
Alex Daily!
in reply to Alex Daily! • • •"There's a question mark on his face, dear."
you're going to meet a dark, handsome stranger who's also a fucked up live action adaptation of the Riddler
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"Oh, god. Question mark."
oh no
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I can't even tell what kind of character Sweetie is supposed to be -- if she's meant to be the horrible sister from hell who ruins Kay's life, she's far too much of a troubled soul for me not to want to be somewhat sympathetic to her situation. But does the picture *want* me to be sympathetic?
It's all too harsh and realistic to register to me like a comedy, and too off-kilter and odd for me to register it as something that wants to be taken seriously.
Alex Daily!
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You could compare the off-kilter nature of this to David Lynch, but where Lynch often finds levity in the darkness, and his whole thing is held up by a very sincere belief in the good side of humanity, this is *just* bleak. Sweetie isn't funny to me, she's just unwell, undiagnosed, untreated.
It's *just* sad, and the picture offers, so far, no relief, at least not to me.
Alex Daily!
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in reply to Alex Daily! • • •yeesh, oy, and so on
i'm going for a walk
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Alex Daily!
in reply to Alex Daily! • • •Found myself so annoyed at how much I failed to connect with this yesterday that I've rewatched it with the commentary track, so, again, it's --
#183, or #2145, Jane Campion's 1989 feature debut, "Sweetie."
Alex Daily!
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Still don't like it, but some conclusions:
One, I'm overthinking this.
Jane Campion, on the commentary, constantly laughs at Sweetie's antics. She laughs at her death scene. Sweetie is meant to be funny, adorable, charming. In a way I can't access because what I see is not a hard fact of life in the context of which life, which is often inherently funny, simply carries on, but a severe mental health crisis.
Alex Daily!
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Two, speaking of.
To Campion these are relatable, human situations. Exaggerated, of course, but the Kay/Louis relationship is based on the relationship between Campion and co-writer Gerard Lee. Sweetie herself is based on a family member of Lee's, with elements of Campion's own sister in there, too.
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What this adds up to, practically speaking, is a perspective I struggle to connect to on situations I don't find relatable, the depiction of which gives me absolutely nothing to hang on to. And these things reinforce each other.
Which I guess I could've told you yesterday, but I suppose it's nice to know that my feeling of alienation towards the work reflects something intentional.
Alex Daily!
in reply to Alex Daily! • • •I know nothing about this, except I think it might be based on, I wanna say, Robin Hood self-insert OC fanfic? It's --
#184, or #2146, 1952's "Ivanhoe."
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"Now, Locksley, now, while they're still in range!"
Locksley? Hiding in the bushes with a bow? Yessirree that's a Robinagar Hoodagon alright.
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"They can't fight fire /and/ Saxons."
time to set all of our saxons on fire and make them unstoppable
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Anke
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Alex Daily!
in reply to Alex Daily! • • •Let's see if Celine Song can make Dakota Johnson watchable, leaving now to go see --
#185, or #2147, 2025's "Materialists."
Alex Daily!
in reply to Alex Daily! • • •Impressively subtle satire, by which I mean it took me a while to realise the picture was making me laugh on purpose.
A lot here to like -- it's gorgeously shot, it feels really solid. The picture overall is as controlled as its well-cast lead actor, and in that way can come across as cold, but I think that reflects the matchmaking world depicted.
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Alex Daily!
in reply to Alex Daily! • • •Let's just get this over with, it's --
#186, or #2148, 1990 Jane Campion-directed Janet Frame biopic "An Angel at My Table."
Related post from fifteen minutes ago: beepboop.one/@Alexis/114688183…
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And maybe that's how Campion -- and/or frequent collaborator Gerard Lee -- experienced or witnessed life growing up in these places. I don't know, Wikipedia doesn't really illuminate on the issue. And, like, yeah, sure, either way there's something real about it.
But god, it's a real misery to sit in.
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"I've made up my mind not to be a teacher. I'm going to be a poet."
All I'm saying is, I could decide to be a poet in less than 42 minutes.
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From my 2025 perspective, the Good Kind of Biopic is one that doesn't try to tell its subject's entire life but one that tries to explain them through a focus on one era, one time, one moment.
"A Complete Unknown" explains Bob Dylan not by showing you everything from the first time he picks up a guitar to the moment he agrees to consult on making it but by focusing on the moment the bomb he represents went off.
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"I really enjoyed your autobiography, Janet."
Impossible to relate to.
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I think by the standards of a 1990s biopic, this is quite well made, and Campion clearly evolves here.
But it's also nearly three hours of horrible things happening to a woman whose interiority we never explore. We're with her, we witness her, but we never get into her head. So when Adult Janet Frame, who we spend the most time with, only ever exists in a state of nervous fright she never overcomes, that's quite an oppressive a thing to be in for this long.
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it's over
could've been boiled down significantly
Alex Daily!
in reply to Alex Daily! • • •One of those that's definitely not the culturally definitive take on the subject, it's --
#187, or #2149, 1952 Best Picture nominee "Moulin Rouge."
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in reply to Alex Daily! • • •Against our better judgment and values, by which I mean, because there's nothing else playing this week, leaving now to go see --
#188, or #2150, 2025's "How to Train Your Dragon."
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in reply to Alex Daily! • • •A lot here works. It's often charming, funny, pleasant, exciting. The kids are consistently pretty fun, the flying scenes are joyously exciting, and all things considered, that's a pretty good "Shadow of the Colossus" fight.
As live-action remakes go, it beat my very low expectations.
But if this existed on its own, would we forgive it its sins as easily?
Alex Daily!
in reply to Alex Daily! • • •I've definitely seen the animated films, and even though I don't remotely have them front of mind, the whole time watching this one, I was really struck by how much of this seemed, well, tailor-made not for live-action but for a 2010-ish DreamWorks animated flick.
And that's because: It fucking was!
Alex Daily!
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in reply to Alex Daily! • • •Astrid, here, is Girl Rival Turned Teammate, and absolutely nothing more. In animation, Stoick can be kind of an abusive jackass and you understand that he's an Obstacle For Hiccup To Overcome, but that /doesn't work/ when he has a real man's real face and eyes, when you can look at him and see a Person, because then all he is is Odin, What An Asshole.
And this point extends to essentially the entire film's emotional layer.
Alex Daily!
in reply to Alex Daily! • • •In the end, I'm critiquing something that I didn't think should've been made in the first place, so maybe I'm the fool here.
But whatever this needed to be to convince me it /should/ exist, having the original film's director do it was never going to make it that.
Tom Rini
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in reply to Tom Rini • • •@trini Yeah, I truly think at the core of it it's the same mindset in the executive suite -- if we can make a crap ton of money without investing expensive time and energy into coming up with something new, why wouldn't we?
(Though, look, next to LLM crap, I don't mind /this/ so much, because at least it employed hundreds of real artists and actors and such, while the ultimate goal of generative models in art will almost always be to replace as many people as possible.)
Alex Daily!
in reply to Alex Daily! • • •The movie that dares to ask, what if there was a piano, it's --
#189, or #2151, 1993 Jane Campion picture "The Piano."
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Obviously inaction, and having to accept injustice simply to be able to carry on with things at all, that's all part of life. I suspect it may be a bigger part of lives Campion has lived and observed than it is of mine, but still, obviously there's value in depicting all aspects of life, all angles on it.
But the Campion angle on it, at least so far, and in "Top of the Lake," offers very little relief, and that makes for dreary art to have to sit through.
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I've still got 45 minutes left on this, but.
She gets shipped off to New Zealand in an arranged marriage, loses her piano, gets it back, loses it again, then has her access to it gated by a man who uses the lessons he demanded from her through her husband to come on to her and worse. None of it is ever consensual.
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But Wikipedia calls this a romantic drama. In other places, I've seen it called an erotic one. And sure, romance and sex are part of this story. But she's treated like a houseplant.
(Well, okay, a houseplant you might want to have sex with.)
All of it /happens/ to her. She gets treated poorly and assaulted the way something in a pot gets watered.
And it churns the fucking stomach.
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"Why do you make me hurt you!!"
such sweeping romance, where one of the options says clichéd abuse shit and the other option is a rapist
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"She says to throw the piano in the water."
sigh, eyeroll, exasperation
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The picture is well made. The performances are strong. But if the exact same picture, frame for frame the same, had been made by a man, we'd think it was sadistic garbage. Because it is.
I get it. But it sucks.
(ENDING SUCKS SHIT)
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in reply to Alex Daily! • • •The movie that dares to ask, what if the Maze Runner also had to do some Scorch Trials, it's --
#190, or #2152, 2015's "Maze Runner: The Scorch Trials."
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in reply to Alex Daily! • • •The Youths have already breached containment, which makes sense, because Breaching Containment is like the one thing they gotta be good at to get to this point, but I'm sure the Containers'll be Aghast.
*I remember the ending of the first one* Or at least pretend to be Aghast.
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Having Breached post-Containment Containment, the Maze Youths exit into a desolate city. They're shocked and surprised to see what was clearly once a major city like this, and express hope that the outside world isn't /all/ like this.
That's a problem I always have with these things, what /is/ the outside world like? Is there some place where, like, schools and offices are still a going concern? Do people go see movies?
Or is it all just this.
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"This is /my/ place."
oh, hey, it's Alan Tudyk
just throwing a guest star at me every thirty minutes kinda works, honestly
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"An enzyme produced by the brains of the immune. Once separated from the bloodstream, it can serve as a powerful agent to slow the spread of the virus."
"So, you found a cure?"
a deATH CURE
"Not exactly."
not a death cure?
Alex Daily!
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So the Youths produce an enzyme that can, at this point, be used to slow but not stop the infection, but the enzyme can't be manufactured, so they need to harvest an continuous supply directly from living Youths, got it.
Not really a Death Cure yet though.
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this time it's the bad guys taking the chopper to the sequel
good guys gotta walk I guess
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in reply to pending handle 🎏 • • •@kurt The Scorch Trials: Yeah, sure, Hot, that sounds like a real challenge for the Maze Youths.
The Death Cure: The stakes of this have been raised from Maze and Some Trials to *a cure for all death*??? That's the level we're operating at now??? They CURED DEATH???
Alex Daily!
in reply to Alex Daily! • • •The zombie movie that dares to ask, what if it were twenty-eight zombie years later, leaving now to go see --
#191, or #2153, 2025's "28 Years Later."
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in reply to Alex Daily! • • •The whole time I'm sat there going, this is top stuff. As zombie movies go, though it does, ultimately rest on a classic single Idiot Decision, it feels really fresh, and the memento mori section is something really beautiful and thoughtful, really the kind of thing you can only do coming back to a world like this after this much time, great stuff.
And then it clicks what the final scene is doing, and it's got me full sickos dot jpeg hahaha fuck yes. Just me fully Jimming at the camera. 👍👍
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in reply to Alex Daily! • • •The movie that dares to ask, what if there was a Shane, it's --
#192, or #2154, 1953 Best Picture nominee "Shane."
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"Wish they'd give me some bullets for this gun."
normal American thing for a wee lad to say
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in reply to Alex Daily! • • •I have such a genuinely bad time with Jane Campion's films, a reaction I'm fucking fascinated by, it's --
#193, or #2155, 1996's "The Portrait of a Lady."
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"I shall probably never marry."
Inaction!
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She's said she's never getting married far too early into the film for her not to get married, so she's definitely marrying somebody.
But her whole thing is clearly that she wants, quite desperately, sex, to be touched, to be intimate, but not the tying herself down that comes with that in the 18X0s.
So I guess the story is her fight for independence? That can't be _that_ passive, can it?
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"Isabel steps into something like £70,000."
Would not turn that down now, but that's an ungodly sum in the 18X0s.
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god, no, she's gonna marry Malkovich, isn't she
you know he sucks from the moment he steps onto the screen
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Peak Campion. Isabel makes her first meaningful choice in literally the final shot.
buh
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in reply to Anke • • •@anke The one I'm thinking of is this Amazon commercial, which plays in the cinema all the time at the moment: youtube.com/watch?v=1U3DJpwNLo…
It's the teenager's attempt to skateboard on the beach that gets me. Are there-- Are there no paved roads on this island? Why would you even try to skateboard on sand??
- YouTube
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in reply to Alex Daily! • • •@Anke Sometime between the '40s and when that commercial came out people went from "if the waves are flat why don't we put wheels on our surf boards," to "why don't we ride our skateboards in the sand."
Which means that either:
1. California no longer has roads
2. People are much less inventive
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in reply to Alex Daily! • • •I'm just gonna burn through the rest of these, it's --
#194, or #2156, 1999 Jane Campion picture "Holy Smoke!"
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"It was like they were on drugs."
This is at least recognisable to me as a satire -- the bestie and the Australians here are wrong, close-minded.
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"This is my friend Rahi."
oh it's Sweetie
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Intervention! In the Outback!
They shouldn't be doing this to her, but they are, because they're fucking maroons.
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Unfortunately, I am bound by law (podcast I listen to.) Only three and a season of "Top of the Lake" left.
I'm bound to enjoy-- Who's next, oh, Sam Raimi, oof. Well, okay, I just won't rewatch the "Evil Dead"s.
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Also, for what it's worth, if I wasn't getting more Good than Bad out of subjecting myself to these movies, then I just wouldn't be doing it. My frustration will be gone tomorrow, but the insight I've gained won't be.
I also listen to a "bad movie" podcast, and I don't watch along with most of those, because I don't get anything out of them. There's nothing to /learn/ there.
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It's just, I looked up her movies and every single one of them sounds absolutely miserable??
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in reply to Alex Daily! • • •It's the last Tuesday of the month, which means it's time for the Mystery Classic at the cinema -- we don't know what the movie is, just that it's a "classic."
Except I guess we do, because the hints this time were:
* "Three parts."
* "After sunset."
That has to be 1995's "Before Sunrise," right?
Let's find out, leaving now.
#195, or #2157.
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in reply to Alex Daily! • • •Fell hook, line, and sinker for the hint misdirect -- you know how when you get stuck on something, it becomes impossible to think of something else -- because the Mystery Classic was 2016's "Moonlight."
Beautiful picture!
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in reply to Alex Daily! • • •Three more Campions to go, it's --
#196, or #2158, 2003's "In the Cut."
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* Jane Campion as a person is, by all accounts, a happy and cheerful lady with an odd sense of humour, funny to the point of silly -- and she comes across that way on the "Sweetie" commentary.
* I get the feeling her films reflect lives observed more than they do a life lived.
* This kind of thing may simply be what she's able to get funding to make.
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@B She seems very nice!
I just think her protagonists are passive and inactive, and her stories uncritical of the awful worlds and behaviours they depict in a way I find hard to stomach.
Admittedly at least in part because I'm used to a mode of storytelling where Awfulness is kind of inherently a thing that gets pushed back against, while in real life that option simply does not always exist, or is incompatible with Carrying On.
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in reply to Alex Daily! • • •Let's just do this, it's --
#197, or #2159, 2009 Jane Campion picture "Bright Star."
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in reply to Alex Daily! • • •When I started Campion, I figured, well, at the end I'll rewatch "Power of the Dog," the one I'd already seen and didn't like at the time, maybe I'll like it better with the added context of her whole career.
But that seems unlikely, doesn't it.
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The film contrasts Fanny's fasion with Keats' poetry.
Keats' work, though he dies at 25 not having had a chance to experience success, obviously outlives him by centuries. You know his name, and so do I, even if I don't know the work itself.
Fanny's work, her sewing, her fashion design, does not, really, outlive her. No dress from 1818 has the position of a poet whose name you know. But her work is a technical skill, and profitable in its time.
Smart contrast.
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I'm aggressively failing to care.
Though perhaps the dominant emotion is a real dreary desire to simply be done with Campion.
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in reply to Alex Daily! • • •Time for the utter opposite of that, leaving now to go see --
#198, or #2160, 2025's "M3GAN 2.0."
The VHS Wizard 🦝📼🧙
in reply to Alex Daily! • • •It looks very stupid, but also probably a lot of fun.
I suspect we're on a vector to eventually wind up with a Jason vs Freddy situation with M3GAN battling Chucky should the film gods allow
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in reply to Alex Daily! • • •Will I like this one more than I did the first time (I did not like it very much the first time) with the full context of Jane Campion's work now filled in for myself? Let's be honest, I probably won't. It's --
#199, or #2161, 2021's "The Power of the Dog."
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in reply to Alex Daily! • • •I really do wish Campion's work had, like, gelled together for me, you know? I wish I'd clicked with it.
But I barely recognise the films people describe in the ones, all of them now, this one a rewatch, I've watched. I don't see the sweeping romances, I don't see the thoughtful character study.
And when so many people do see it, do I just not get it?
No. It is the people who are wrong.
This sucks, time to move on.
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in reply to Alex Daily! • • •The polar opposite to all those Campion movies, the movie about a Maze Runner that dares to ask, what if there was a Death Cure, it's --
#200, or #2162, 2018's "Maze Runner: The Death Cure."
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"No..."
he's back in the, what did they call it, the Glade, from the first movie
there's Maze here
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"Funny, spent three years trapped behind walls trying to break out and now we're trying to break /in/."
newt escapes from one little maze and suddenly he's got a wallergy
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"This is a long way from the Glade."
so the regular world in this story is CGI skyline Vancouver, got it.
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"It's not just slowing the virus down. It's destroying it."
like some kind of Maze Runner: The Death Cure
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in reply to Alex Daily! • • •I'm putting this on way too late, but I've been told to watch --
#201, or #2163, 2022 Indian queer sham marriage comedy "Badhaai Do."
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Opening scene, everyone puttering around about why he isn't married.
Smash cut to him in the gym, you instantly understand why he isn't married.
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"What did you hear, Sirohi?!"
"Nothing, sir! But don't worry, your secret is safe with me!"
pfft sirohi
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"I've been calling and texting him all morning."
oh no is Kabir not into this arrangement
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Don't like that he's a cop, and the fact that he's quite happy to do some police brutality to the stalker (who deserves to have his ass kicked, but maybe not by an instrument of the state's monopoly on legal violence,) as well as how much of an asshat he is generally, makes Shardul hard as hell to root for,
but this is as charming, funny, and beautiful an uncompromising tale of queer love as you'll find on Netflix today. Genuinely lovely stuff.
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in reply to Alex Daily! • • •Let's just watch literally anything that isn't two and a half hours long, (and also, the modern run of Sony animation is usually pretty solid,) it's --
#202, or #2164, 2025's "KPop Demon Hunters."
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"You're a demon, right?"
"...What do you mean?"
"You're smiling all weird, watering plants with coffee, and those guys... Come on."
and it's really funny, good, good
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in reply to Alex Daily! • • •Finally, a movie about the button on your keyboard that takes you to the help menu, leaving now, despite miserable heat, to go see --
#203, or #2165, 2025's "F1."
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in reply to Alex Daily! • • •This concludes the June 2025 #MovieThread.
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2025-07-01 18:18:54
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@naga I'd believe it.
Even if he's not explicitly in there, I think this does open up bringing characters from previous films back in this far future, if only in animation.