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#MovieThread VI: The Past Is An Undiscovered Country, Chapter Seven — July Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 203, for a total of 2165 movies.

* I really gotta double back down on the Best Picture nominees.
* Probably start Sam Raimi soon, though I dunno if I'll rewatch what I've already seen.

:beepboopone: Previous thread: beepboop.one/@Alexis/114609030…


#MovieThread VI: The Past Is An Undiscovered Country, Chapter Six — June Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 172, for a total of 2134 movies.

* I'm kinda burning through Best Picture nominees, but the podcast I listen along to is about to severely slow down, so.

:beepboopone: Previous thread: beepboop.one/@Alexis/114434267…


in reply to Alex Daily!

The year is 1953. Brando is Mark Antony. It's --

#204, or #2166, Best Picture nominee "Julius Ceasar."

#204 #2166
in reply to Alex Daily!

It's been a bit since my last Shakespeare so now I really gotta get into the dialogue again.
in reply to Alex Daily!

"The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings. Brutus and Caesar. What should be in that Caesar? Why should that name be sounded more than yours? Write them together, yours is as fair a name. [...] Now, in the name of all the gods at once, upon what meat doth this our Caesar feed that he is grown so great? Age, thou art shamed!"

no gods, no masters

in reply to Alex Daily!

This is, so far, a pretty straightforward cinematic adaptation of the play. Not any real meaningful choices in here.

Except I guess in how it's shot -- black-and-white to evoke newsreel depictions of fascism in Europe, not a "Quo Vadis"-level spectacle but a lot of intimate spaces, a lot of close-ups.

in reply to Alex Daily!

"Et tu, Brute?"

suddenly English-speaker Julius Caesar operating in latin over here

in reply to Alex Daily!

MARK ANTONY, who thinks all these dudes are bastards: "Gentlemen all."
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in reply to Alex Daily!

"I come to bury Caesar, not to praise them."

the man says the thing

in reply to Alex Daily!

Brando's Mark Antony speech better than my own go confirmed.
in reply to Alex Daily!

Brando good as Mark Antony, and it's not a bad adaptation at all, but there's also nothing here to wow me like better Shakespeare productions have done.
in reply to Alex Daily!

I don't get the opportunity as often as I'd like, because the Brother is: Employed, but I love seeing a movie at 11:45 on a Thursday. Leaving now to go see --

#205, or #2167, 2025's "Jurassic World: Rebirth."

#205 #2167
in reply to Alex Daily!

Many of the individual sequences are fine, or even pretty good, but between the barebones land-sea-and-air plot, the stock characters, and the way it obviously coasts on franchise iconography and music, it just doesn't really add up to anything.

(Her not opening the door in the prologue may be the only Good Decision anyone makes in in this instalment of the Hubris Leads to Bad Decisions franchise.)

in reply to Alex Daily!

Death to America, anyway, it's the fourth day of the seventh month, so let's watch this undoubtedly profoundly dodgy themed slasher, it's --

#206, or #2168, 1996's "Uncle Sam."

#206 #2168
in reply to Alex Daily!

🇺🇸 #206: "Uncle Sam" (1996)

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in reply to Alex Daily!

When I said this "aged weirdly" in the poll, what I meant was, "OJ Simpson is in this," that's right, it's --

#207, or #2169, 1988's "The Naked Gun: From the Files of Police Squad!"

#207 #2169
in reply to Alex Daily!

Ooooh, I saw that one in the list of movies of that year, but couldn't think of a what had aged weirdly.
in reply to pending handle 🎏

@kurt Yeah, I said "reputation," but people forget he's in these, don't they. Reputation with me, I guess.
in reply to Alex Daily!

Boy, this sure locks itself into a very specific geopolitical moment to the, like, second.
in reply to Alex Daily!

The escalation of the title sequence from the show -- the car the siren is on top of now drives into locker rooms and living rooms and rollercoasters -- really sets the tone exactly where you want it.
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🔫 #207: "The Naked Gun: From the Files of Police Squad!" (1988)

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Even the most ardent critic of autocracy has to admit: This absolutely rules.
in reply to Alex Daily!

I'm off to see the Wizard, leaving now for a screening of --

#208, or #2170, 1939's "The Wizard of Oz."

#208 #2170
in reply to Alex Daily!

What was in 1939 the best movie ever made totally holds up on the big screen 86 years later.

An iconic, delightful achievement of cinema.

in reply to Alex Daily!

Last saw it in 2022, and, having since read the book, "Yellow Brick Ramble," and the "Wicked" novels, and having seen "Wicked: The First Half," it's funny how Oz has filled itself in for me in my head — the idea of it being a dream sequence, which the film goes pretty hard in on, feels like nonsense, because, of course, I know damn well Oz is a real place, and so do you.
in reply to Alex Daily!

Pff, I turned it off within the first 19 minutes, it really should've been in colour.
in reply to pending handle 🎏

@kurt I don't know, I think sepia suits a realist drama about a girl living in the dust bowl fighting a legal battle to save her wee dog.
in reply to Alex Daily!

Chris Pine's directorial debut looked vaguely interesting, and then fully vanished after it came out, I've put on --

#209, or #2171, 2024's "Poolman."

#209 #2171
in reply to Alex Daily!

It's 90s, and Pine plays the pool cleaner for an apartment building who gets caught up in a web of conspiracies that he may or may not be imagining. Or something like that.
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🏊👒 #209: "Poolman" (2024)

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This apparently has one iconic kissing scene, but will that be enough to get me over it being an early 50s WW2 movie? It's --

#210, or #2172, 1953 Best Picture nominee "From Here to Eternity."

#210 #2172
in reply to Alex Daily!

You don't think of "before, during, and after the attack on Pearl Harbor" as a setting for a romantic drama, do you. Suggests a lot of untapped potential. WWI trench crime drama. Desert Storm walk-and-talk office drama. 9/11 stoner comedy.
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🌴 #210: "From Here to Eternity" (1953)

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Oh, I said "nominee," but it won Best Picture. I'd agree, but "Roman Holiday" might still blow me away.
in reply to Alex Daily!

> You don't think of "before, during, and after the attack on Pearl Harbor" as a setting for a romantic drama, do you.

🤔

in reply to Alex Daily!

A... /good/ Superman movie? In /my/ lifetime? Leaving now to go see --

#211, or #2173, 2025's "Superman."

#211 #2173
in reply to Alex Daily!

/Unbelievable/ how much they /nailed/ this. The best Superman movie in more than 40 years.

You WILL believe a man can fly.

in reply to Alex Daily!

How does it compare to Superman 3?

And by Superman 3, I mean "the one with Brandon Routh that follows logically from Donner's magnum opus Superman II" and not any other, completely fictional Superman movies that may have existed with otherwise-very-funny-comedians and definitely not one that contains such poetry as "I am a freako?"

in reply to The VHS Wizard 🦝📼🧙

@DrakkenZero It's been a while since I've seen the one with Brandon Routh, but this one does, I think, get notably closer to what I want from a Superman movie, and from its central character dynamics, than the one where Lois and some other guy are raising her and Clark's kid.
in reply to Alex Daily!

Some additional thoughts:

* If you were never that into superhero movies, this won't change your mind. But if you keep going to them, waiting for one to just be really fun and big and exciting again? Have I got good news for you.
* It feels, ultimately, like being dropped into the middle of a really good, ongoing run of a Superman comic, and it gives you all you need to keep reading from here.

in reply to Alex Daily!

* Some people worried about how many characters're in this -- they all get their due, the picture never feels overstuffed, the world just feels rich and lived in. Nobody feels like they're there just to set up something else. (If you've never heard of Mr Terrific before, you'll go home wondering why not!)
* The key thing here, the thing that makes it all tick, is the picture never pretends Clark *isn't* corny. He's corny! He's kind and nice and if you met him you'd feel like you were friends.
in reply to Alex Daily!

* I was never going to be normal about this one, but by Eos, I cried so fucking much just watching Superman be Superman. He's /Superman/. Like. Superman. You know what I mean?
in reply to Alex Daily!

I'm not gonna do anything today, so I've made myself a cup of tea, and have put on --

#212, or #2174, 1985 Sam Raimi picture "Crimewave."

#212 #2174
in reply to Alex Daily!

This is me starting Raimi -- I've watched the Evil Deads, the Spider-Mans, etcetera, but I probably won't rewatch anything. Well, maybe "Multiverse of Madness."

To the side, I'm also watching "Ash vs Evil Dead," which I like a lot more than those movies.

in reply to Alex Daily!

Ash vs. Evil Dead was awesome, and I'd lots to see where it would have gone for season 4.
in reply to Alex Daily!

Depends on the animator, but no, probably not.

Raimi seems to use unrestrained gore, to an absurdist, obscene level, as an art form. Doing that from something that starts off 'not real' detracts from the product.

(I say that with respect, as I am not really into gore, but he kind of elevated the medium.)

in reply to Alex Daily!

A speeding car full of nuns. A man on death row. And now Bruce Campbell blowing animated sexy lady silhouette smoke rings...?

The tone of this thing.

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🔌 #212: "Crimewave" (1985)

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Everyone was really hot on the first one, I didn't care for it, and for the sequel people seem to have really cooled on it, so while not really doing anything else, I watched —

#213, or #2175, 2025's "The Old Guard 2."

#213 #2175
in reply to Alex Daily!

I was right. Still don't care for it. Wet cement-ass picture.
in reply to Alex Daily!

The picture that dares to ask, what if you took a holiday to Rome, it's --

#214, or #2176, 1953 Best Picture nominee "Roman Holiday."

#214 #2176
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One of the first shots of Rome the picture shows you is of St Peter's Square, which is, of course, not in Rome.
in reply to Alex Daily!

"This film was photographed and recorded in its entirety in Rome, Italy."

and then we smash cut to NEWS FLASH, and London

in reply to Alex Daily!

Rome does an impressive impression of looking exactly like London, Amsterdam, and Paris.
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👸 #214: "Roman Holiday" (1953)

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the ending of "Roman Holiday" is really what makes it Something Else

easy to imagine a version of it made twenty years earlier, that casts the wrong Joe, doesn't have Audrey Hepburn to work with, that feels the need to give you more in the ending, to give them some extra moment to the side where they Say It instead of Saying It All With Their Eyes

but that version is no good, because having them Say It All With Their Eyes, and her then going away as the Princess, that turns it /mythological/

in reply to Alex Daily!

and it does it for /both of them/, their encounter isn't just a lovely day they had together, though it absolutely is that,

it's something they should by all reasonable definition never have been able to touch, it's Aladdin without a genie to make the impossible happen

in reply to Alex Daily!

All movie musicals are best on the big screen, including the one that tries to sell you PT Barnum as a champion of diversity, leaving now for the second of the summer musical rerelease season --

#215, or #2177, 2017's "The Greatest Showman."

#215 #2177
in reply to Alex Daily!

Look, yes, every grievance the theatre critic files against Barnum is essentially true in our own reality, but the picture's fantastical counterargument with those grievances is "but what if this was the most earnestly joyous musical the magic of da moviesh could possibly deliver," and, frankly, it's a persuasive one. Still slaps.
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The 90s superhero picture that dares to ask, does Liam Neeson work as an action hero? It's --

#216, or #2178, 1990 Sam Raimi movie "Darkman."

#216 #2178
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As I understand it, this one is Sam Raimi going, they won't let me make a The Shadow movie, so I'll just have to do it myself.
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I always get this mixed up with Shadow Man, an N64 game I've never played. (In so far as I incorrectly assume it's an adaption of the film.)

Shadow Man and Dark Man, also both names of Mega Man characters.

in reply to 🇹 Ti

@The_T "Shadow Man" is based on a Valiant comic, "Darkman" is more of a "what if The Shadow was a Universal Monster" riff but original, and Mega Man characters "Shadow Man" and "Dark Man" are presumably based on the concepts of shadows and darkness, respectively.
in reply to Alex Daily!

oh, huh!

And actually, regarding Mega Man: Shadow Man is a ninja, and Dark Man is a series of 4 different robots that are just... generically villains? They're not robot masters (like most of the robots that end in "Man"), but one of them does disguise itself as Mega Man's brother Protoman to try to pin the events of the game on him. But then Protoman actually shows up and shoots him.

in reply to 🇹 Ti

@The_T Shadow Man being a ninja I'll accept, but Dark Man is some nonsense. [looks them up] Half of Dark Man are bright colours!
in reply to Alex Daily!

the NES only had 64 total colors it was possible for it to show, so things were limited.

Looking at the art again though, I did realize that Dark Man was clearly based on Hakaider, the villain robot from the tokusatsu Kikaider. Has the same brain-in-a-jar head look.

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On paper I like the idea of a Technicolour Roman epic, but in practice I tend to find them somewhat stale so far, and I suspect this one, which I've seen in several places described as "Bible fanfiction," will probably land on the wrong side of that spectrum, it's --

#217, or #2179, 1953 Best Picture nominee "The Robe."

#217 #2179
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🐴 #217: "The Robe" (1953)

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Usually there's enough overlap between what I say in the thread and what I then post to Letterboxd that there's not much point drawing attention to the Letterboxd post, but I feel like I got my thoughts in order here in a way I didn't really in the thread.

🔗 :letterboxd: letterboxd.com/alexdaily/film/…

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A zombie movie with the Flash in it? No, just the cowboy movie Sharon Stone that had enough clout in the 90s to get Sam Raimi to make, but I'd watch that, anyway, it's --

#218, or #2180, 1995's "The Quick and the Dead."

#218 #2180
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🤠 #218: "The Quick and the Dead" (1995)

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Can't wait to see this plan unfold flawlessly and smoothly, on account of how it's such --

#219, or #2181, 1998 Sam Raimi picture "A Simple Plan."

#219 #2181
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After the early grody cult phase, this is, of course, firmly Sam Raimi's movies for normal adults phase, which will get completely derailed by his career slamming headfirst into inventing the modern superhero movie.
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☃️ #219: "A Simple Plan" (1998)

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☃️ #219: "A Simple Plan" (1998)

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great stuff, often very tense. all the stupid decisions they make incredibly believable.

like if Fargo wanted to make you far sadder, just another excellent mid-career Raimi flick, even if he is a little anonymous here — you could really tell Quick and the Dead was a Raimi in a way you can't here — but that restraint and control is what this story needed, and he delivers it well

in reply to Alex Daily!

I know nothing about the movie, and I have no reason why, but I would've sworn A Simple Plan was a Coen Brothers movie.
in reply to Alex Daily!

I think doing a legacy sequel for this one might, in fact, be a little bit silly -- what, the old cast shows up to give advice to the new gang about... how to better get away with covering up that they killed somebody? Anyway, leaving now to go see --

#220, or #2182, 2025's "I Know What You Did Last Summer."

#220 #2182
in reply to Alex Daily!

Look, was I skeptical of them doing an "I Know What You Did Last Summer" legacy sequel at all, and do I kinda wish the inciting incident was a little further away from the source material? Yes.

Is this one particularly fresh? Nah.

But did I have a good time with it? Yeah, sure!

This entry was edited (5 months ago)
in reply to Alex Daily!

The trick to enjoying this one, I think, is to understand that this is One of These, and that that means certain things, which includes that the vapid teenagers' goofy Gen Z dialogue may in fact be silly on purpose, and so you should, like me, be the only one in the screening happily laughing along with it.

Join me. Join me, I say, in the Only Laugher In The Screening club.

in reply to Alex Daily!

Anyway, yeah, enjoyed this. A fun One of These. Kept me on my toes.

(Wild to me how many people were once again fully out of the building before the mid-credits scene.)

in reply to Alex Daily!

My understanding is that this is "if Roman Holiday was a Technicolour CinemaScope European location filming spectacle, can we get away with a bad script?"

Given that it was nominated for Best Picture, I'm gonna say the answer, at least at the time, was "yeah dawg it sure can." It's --

#221, or #2183, 1954's "Three Coins in the Fountain."

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in reply to Alex Daily!

Rome, city of seven hills and, *squints at wet notes* five million fountains?
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You can tell this airport is in Rome because there's a couple nuns in the establishing shot.
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"If you throw a coin into the pool, you're supposed to get your wish. Only the wish must always be the same thing. That you'll return again to Rome."

good racket if you run the fountain

in reply to Alex Daily!

one coin in, two coins in, thr--

"No, I don't want to come back to Rome."

gasp

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🪙🪙🪙⛲ #221: "Three Coins in the Fountain" (1954)

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in reply to Alex Daily!

I should've watched this for #212, I guess, anyway, it's --

#222, or #2184, 1991's "The Naked Gun 2½: The Smell of Fear."

#212 #222 #2184
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👃 #222: "The Naked Gun 2½: The Smell of Fear" (1991)

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👃 #222: "The Naked Gun 2½: The Smell of Fear" (1991)

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the way these are going, I suspect the third one might already live firmly in the land of diminishing returns. but still, a pretty funny hour and a half. the great gag rate you want.
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👃 #222: "The Naked Gun 2½: The Smell of Fear" (1991)

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The third of the summer musical rerelease season, the movie that dares to ask, what if there was a Los Angeles, leaving now to go see --

#223, or #2185, 2016's "La La Land."

#223 #2185
in reply to Alex Daily!

A Technicolour CinemaScope spectacle!

Loved this when I saw it at home a few years ago, but exactly like I thought it would, plays just tremendously on the big screen.

Notice how it does the "Wizard of Oz" trick -- it opens on grey cars on grey concrete, then quickly drags you into its much louder colour scheme and aesthetic.

The ending, an emotional fist fight? Sir, how dare you.

in reply to Alex Daily!

Just making 100% sure I've seen every theatrically released Batman movie, this being the only one I'm unsure about, it's --

#224, or #2186, 1993's "Batman: Mask of the Phantasm."

#224 #2186
in reply to Alex Daily!

Maybe I'm overthinking this establishing shot, but why does Casino Parking have a pirate-ship like plank longer than itself.
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"Such rot, sir. Why, you're the very model of sanity. Oh, by the way, I've pressed your tights and put away your exploding gas balls."

alfred

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:thebatman: #224: "Batman: Mask of the Phantasm" (1993)

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in reply to Captain | 🏳️‍🌈 🇨🇦

@Lady_Noremon "Phantasm" is the only BTAS movie that was theatrically released, a distinction that saves me from having to watch 58 straight-to-video movies.
in reply to Alex Daily!

The choice to see this was made for me, because it's the members-only preview night at the cinema, which means free popcorn and drink, and who am I to turn down free popcorn and drink… But it's a theatrically released comedy, so I would-a gone to see it, anyway, leaving now to go see —

#225, or #2187, 2025's "Bride Hard."

#225 #2187
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Pissing it down, so screen 1, which seats several hundred, currently has more staff at the door handing out the drinks and snacks than audience members seated.
in reply to Alex Daily!

only fifteen people braved the elements for free popcorn?

Disappointing

in reply to :beecat:

@B Maybe 20 by the end of the trailers? But yeah! You say free popcorn, Alex Daily is there, come rain or shine!
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Had fun laughing at this in a dark room with 20 strangers, enjoyed it.
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Leaving now for the first Sneak Preview in— I don't know, but it's been a while.

Could be "Naked Gun"?

#226, or #2188.

#226 #2188
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Sneak Preview was 2025's "Clown in a Cornfield," the opening sequence of which -- teens going into the corn, a clownshoe footprint, a kill, clown reveal, title drop -- I thought was a very funny prank to play on the Sneak Preview audience! Got a great laugh!
in reply to Alex Daily!

The rest of the movie? Also pretty solid!

Maybe not as subversive or fresh as it sometimes seems to think it might be, and maybe a little too winky at the camera, an astute viewer'll clock it pretty early, but the modern theme is strong, everyone really gets the assignment, it's gay, and it's always nice to see Will Sasso, so, like, as modern slashers that aren't that interested in being anything else go?

Had a good time.

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It's the summer of superheroes who wear blue and haven't had a good movie in a long, long time, leaving now to go see --

#227, or #2189, 2025's "The Fantastic Four: First Steps."

#227 #2189
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Knew they could do it! Knew they could do it!

A good "Fantastic Four" movie!!

in reply to Alex Daily!

Delivers a great deal of what I've always wanted from a "Fantastic Four" movie. Galactus!! Mole Man is here! Ben fucking around on Yancy Street! They all get their bits to do, the fights are cool and distinct, they even get me to give a shit about the baby.
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Just a good one of these!! A fun ride!!

I could file some grievances here, but I won't -- they did it, they got it right, the Fantastic Four are alive and, like Superman, whose 2025 blockbuster this has some odd similarities to, they're my friends.

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in reply to Alex Daily!

🔥 🪨 🫥 :rubberducky: #227: "The Fantastic Four: First Steps" (2025), how many post-credit scenes, no other information

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(I'd love to hang out with Mole Man. Harvey, give me a call.)
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I've really been digging mid-career Sam Raimi, but will that streak survive his 1999 baseball movie? It's --

#228, or #2190, "For Love of the Game."

#228 #2190
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If this has a reputation, a thing this movie would need to exist to have, I understand it might be "the baseball stuff is pretty good, but the romance isn't, and there's far more of the latter than the former."
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Costner is to the Tigers what Kenan is to SNL, but now the team's been sold and the new owners're probably gonna get rid of him, got it.
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With one last unimportant game in the season, Costner has the chance to, instead of going to the Giants and having to start over, go out on top by giving this game his all.

Do I care about any of this? Not yet.

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⚾ #228: "For Love of the Game" (1999)

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movie take less than five thousand hours to end challenge: failed
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@verity A couple of the old black-and-white movies I've watched -- couldn't tell you which ones now, mind -- just straight up fade to black, the end, the moment the conflict is resolved.
in reply to Alex Daily!

Representing the end of mid-career Raimi, and being the penultimate Raimi film I haven't seen yet, it's --

#229, or #2191, 2000's "The Gift."

#229 #2191
in reply to Alex Daily!

As I understand it, 2000's "The Gift" is about a psychic lady, is co-written by Billy Bob Thornton, and loosely adapted from, *squints at psychic notes* his mom?
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Oh, Cate Blanchett doing a Southern US accent. I'm so used to modern Blanchett, but she kinda disappears into it here.
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"You don't know Donnie Barksdale."

doesn't sound like I want to

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I think if you make a movie based on some shit your mom made up, she should at least get a story by credit.
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:psyduck: #229: "The Gift" (2000)

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a couple solid performances here, and well-made, I guess -- objectively plainly a better film than "For Love of the Game" -- but ultimately I just don't like the thing this is
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Sometimes watching along to Blank Check means they make me watch a bad movie by a bad director, which is why I've put on --

#230, or #2192, 2009's "Old Dogs."

#230 #2192
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Best friends Travolta and Robin Williams are happily dudebro-ing along as over-paid PR execs on the verge of a huge deal with a big company when a lady Robin Williams married on a drunken whim a decade ago shows up with the twins he wasn't aware he'd spawned.

It's from 2009, and by the director of "Wild Hogs," "Clifford the Big Red Dog," and the 4th live-action "Alvin and the Chipmunks" movie.

You can picture as clear as the sky on the nicest summer day all the many ways this isn't funny.

in reply to Alex Daily!

Look, there's an amount of money you could pay me to get a spray tan, and it's not even that high, but no thank you-- god, this is a real commitment to doing brownface material only 4 years before the Year of Luigi.
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🧓🐶🐶 #230: "Old Dogs" (2009)

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in reply to Alex Daily!

Sam Raimi has two clearly defined eras. Early Raimi is the cult films, and middle Raimi is him trying to make good movies for normal adults. But then after that, with one exception, everything he's done this millennium is franchise work.

This is that one exception. It's --

#231, or #2193, 2009's "Drag Me to Hell."

#231 #2193
in reply to Alex Daily!

From the poster this looks like Raimi's entry into the 00s gritty but bland version of popular horror. Does he still have it, or does it fit right in with that trash (not particularly affectionate.)
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😈 #231: "Drag Me to Hell" (2009)

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This one's so good. Does it fit right in 2000s horror? Yes, it fits right in the way Lordi fit right into Eurovision.
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@kurt Fits in perfectly right next to all the worst, dumbest mainstream 00s horror, but also, totally slaps!
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The movie that dares to ask, what if there /wasn't/ a Wizard of Oz... yet, it's --

#232, or #2194, 2013 Sam Raimi picture "Oz the Great and Powerful."

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in reply to Alex Daily!

This opens with an attempt to do the Disney castle logo but practical, but it's still hokey 2013 CGI, which I suspect will be... emblematic of other problems I'll have here.
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Look, doing Oz at all in modern cinema is a challenge, because the 1939 film still weighs so heavily, but "putting James Franco in it and having him just do the James Franco thing," does that feel like a brick in the road to success? It doesn't, does it.
in reply to Alex Daily!

"Prequel about how the Wizard got there" is also just peak franchise brainrot. We know how he got there, he was a stage magician, he got into a balloon, ended up in Oz, they thought he was a real wizard, that went on for a while, then Dorothy got there. What does showing it to us add? I can't imagine there's an Anakin layer to the Wizard's Vader.
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🎈 #232: "Oz the Great and Powerful" (2013)

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🎈 #232: "Oz the Great and Powerful" (2013)

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in reply to Anke

@anke The actor? He's probably best known for playing Harry Osborn in the Tobey Maguire Spider-Man movies, and for being part of that Seth Rogen set of actors.

(More recently he was credibly accused of, if I recall correctly, using the acting school he'd started as a way to give himself access to vulnerable young women to sexually predate upon.)

@Anke
in reply to Alex Daily!

I think I have seen one of those Spider-Man movies, once. Presumably the first one. Only have very vague memories of that.
Anyway, point being, agreed that I do not consider the name a draw :p
in reply to Anke

@anke He /was/ considered an A-lister for a while, though it always felt like Hollywood was trying to make him happen more than he was happening.

But I also just don't buy him as a man from 1905!

@Anke
in reply to Alex Daily!

I know nothing about this one, except that there's a much later film that I also don't know anything about that adds "Court-Martial" to the title, which is surely based on the same source material, but alright, it's —

#233, or #2195, 1954 Best Picture nominee "The Caine Mutiny."

#233 #2195
in reply to Alex Daily!

Opening text making clear that, don't worry, the American Navy doesn't actually do mutinies in reality, rest assured patriotism sleeps soundly at night, rah rah, yeehaw.
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🚣 #233: "The Caine Mutiny" (1954)

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Takes a while to get goin', and the romance subplot is a wet sack full of uninteresting small pebbles, but in the end it's hard to deny that this one kinda slaps.
in reply to Alex Daily!

#234, or #2196, leaving now for this month's Mystery Classic.

The two hints:
* "Everybody comes when you call ... !" ("Iedereen komt als je ... roept!" in Dutch, presumably a famous line, with the ellipsis a redaction?)
* "Comes from Hong Kong."

We've been assuming it'll be one of those American action flicks starring one of the big Hong Kong action guys, like a Jackie Chan, but we don't know the line.

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in reply to Alex Daily!

Couldn't have been more wrong, the Mystery Classic was 2006's "The Depawhrted." A little longer than I would maybe schedule for a Mystery Classic, but also, very good?

Aesthetically kind of peak early cellphones, Leo and Damon at the height of their powers, and what a cast. This might be what the purpose of Mark Wahlberg is?

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Even after two hours of some pretty intense violence, the deaths in the third act are still incredibly shocking -- the whole room jumped in their seats!

Have bickered in the past about whether a movie from 2001+ can be a "Classic," but, like, yeah, this one's a fuckin' Classic.

(I'm really up and down on what I've seen of Marty's work, and with one exception, I feel like it might just be that he works for me in the cinema and less so at home. But on the big screen, Marty kinda pretty good?)

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Should finish watching these before we go see the new one next week, it's --

#235, or #2197, 1994's "Naked Gun 33⅓: The Final Insult."

#235 #2197
in reply to Alex Daily!

A triple-carriage Untouchables stroller stairs scene? Unprecedented.
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This one is maybe a little more focused on the shoe-leather of the story than on the gags, and it's not to the picture's benefit.
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🔫 #235: "Naked Gun 33⅓: The Final Insult" (1994)

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Picked up a little in the back third, but still easily the worst one of these.
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🔫 #235: "Naked Gun 33⅓: The Final Insult" (1994)

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🔫 #235: "Naked Gun 33⅓: The Final Insult" (1994)

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The Brother looked up how long this is and went, "woof, not a West Side Short Story, is it," leaving now to go see —

#236, or #2198, 1961's "West Side Story."

(Seen the Spielberg one, never seen this one.)

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This thing bangs, honks, and slaps, daddyo.

Hard to fairly judge such an iconic classic when seeing it for the first time on the big screen, and you might reasonably have some notes -- a case could be made for a zippier edit, and obviously even by 1961 standards the exaggerated skin tone makeup crosses uncomfortably into some pretty bad brownface -- but even then this is clearly one of the great movie musicals.

Really good!

in reply to Alex Daily!

With lunch, I watched —

#237, or #2199, 2025 Netflix doc "Trainwreck: The Real Project X."

Very weird to watch a documentary about something that happened down the road from where I live! I did my first round of student teaching in this town! There's establishing shots of the train station and the Grote Markt!

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Statistically speaking, you've probably heard of this — girl posts public birthday party invite, a friend of a friend invites his entire contacts lists, it snowballs, thousands of people RSVP, and even after it gets cancelled thousands of people show up anyway, chaos ensues.
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🥳 #237: "Trainwreck: The Real Project X" (2025)

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🥳 #237: "Trainwreck: The Real Project X" (2025)

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I've heard of this scenario happening on multiple unconnected occasions.
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Yeah, I'm over here! No, to your left! Behind the-- Yeah, that's right, --

#238, or #2200, 2013's "Now You See Me."

#238 #2200
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I'm pretty sure people think these are stupid, but, like I'll watch a gaggle of illuuusionists do some heists, sure.
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Magic of the deception/trickery kind, the close-up stuff, can easily be delightful. Hypnosis, though, fully not a thing.
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All that Houdini impossibly trapped stuff is just about knowing how to move your body and/or knowing how to secretly get from A to B-- Oh, oop, Isla Fisher just got piranha'd, oh, ah, no she didn't.
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🪄 #238: "Now You See Me" (2013)

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Too much CGI for an illuuusion movie, but in the end, enjoyed that. Very dumb but also very pleasantly sincere in its silliness.
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🪄 #238: "Now You See Me" (2013)

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This is the one where they called the sequel "Now You See Me 2" instead of "Now You Don't"
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@kurt That's the one. The third one, out soon, is called "Now You See Me: Now You Don't" in some territories, though.
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@kurt It's "Now You See Me 3" in the trailers I've seen at the cinema here. In psychological terms, that's called "weakness leaving the studio."
in reply to Alex Daily!

This concludes the July 2025 #MovieThread

:beepboopone: Next thread: beepboop.one/@Alexis/114953310…


#MovieThread VI: The Past Is An Undiscovered Country, Chapter Eight — August Edition

From 2020 to 2024 I watched 1962 movies.
In 2025 so far I've watched another 238, for a total of 2200 movies.

* Next director: Bob Fosse.
* But first: Another three 1954 Best Picture nominees.

:beepboopone: Previous thread: beepboop.one/@Alexis/114779352…


This entry was edited (4 months ago)
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Alex Daily!
@melivia Bastards all the way down, really.
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🔫 #207: "The Naked Gun: From the Files of Police Squad!" (1988)

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@mindfog @kurt True, the song never really goes anywhere, does it. Where does she wanna go? Over the rainbow? The sepia rainbow?
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🌴 #210: "From Here to Eternity" (1953)

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@naga He's friends with everyone! He's Superman!
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🕴️ #216: "Darkman" (1990)

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🕴️ #216: "Darkman" (1990), questionable consent practices IRL

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🤠 #218: "The Quick and the Dead" (1995)

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☃️ #219: "A Simple Plan" (1998)

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☃️ #219: "A Simple Plan" (1998)

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@naga I was thinking of "modern Blanchett" as when she stops playing Characters and her career becomes more about her getting brought in to do The Cate Blanchett Thing. What she does in Black Bag, Tár, Disclaimer.

Post-Lord of the Rings to pre-Carol I'm a little fuzzy on her, but by Carol, in 2015, she's definitely at "modern Blanchett."

@Naga
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@naga Yeah, many of Hollywood's best lead actors still have a great character actor inside them who doesn't really get to come out.

Though I suppose when you get to that level, I do get why people don't turn down jobs that're made for them and that are essentially impossible to fuck up.

But I want to see actors get actively challenged by what they're doing!

@Naga