Peruviaanse arts en zijn assistente, Zuid-Mexico, Ed van der Elsken, 1960
#Peruviaanse #Zuid-Mexico #EdvanderElsken #Spanish #LatinAmerican #Asistencialia #Dutch #Peruvian #SouthMexico #LatinAmerica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image depicts two individuals in a setting that appears to be an old-fashioned medicine cabinet or store. On the left, there is a person wearing what looks like historical attire with a white headscarf and apron, suggesting they may have been playing a role such as a pharmacist or assistant from a past era. They are standing slightly turned towards their right side, not directly facing the camera.
On the right stands another individual holding up a large poster or advertisement titled "PALUDISMO," which includes text in both Spanish and Latin American languages. The visible part of the poster features bold headlines such as “Una sola gota de su sangre” (A single drop of your blood) followed by various phrases emphasizing health benefits, compliance with public health authorities' recommendations, and a reference to an organization "Comision Nacional Para La Erradicacion Del Paludismo" which suggests efforts against malaria. The poster also includes the name 'Asistencia,' possibly referring to Asistencialia or a similar term related to assistance.
Behind them is a shelf stocked with various pharmaceutical products including bottles of pills, jars containing powders and liquids, boxes that appear to contain medical supplies, and several containers labeled "ACTOGEN," which might be an antiseptic product. The environment suggests this could be either the backroom or sto [...]](https://social.trom.tf/photo/preview/640/54635571 "The image depicts two individuals in a setting that appears to be an old-fashioned medicine cabinet or store. On the left, there is a person wearing what looks like historical attire with a white headscarf and apron, suggesting they may have been playing a role such as a pharmacist or assistant from a past era. They are standing slightly turned towards their right side, not directly facing the camera.
On the right stands another individual holding up a large poster or advertisement titled \"PALUDISMO,\" which includes text in both Spanish and Latin American languages. The visible part of the poster features bold headlines such as “Una sola gota de su sangre” (A single drop of your blood) followed by various phrases emphasizing health benefits, compliance with public health authorities' recommendations, and a reference to an organization \"Comision Nacional Para La Erradicacion Del Paludismo\" which suggests efforts against malaria. The poster also includes the name 'Asistencia,' possibly referring to Asistencialia or a similar term related to assistance.
Behind them is a shelf stocked with various pharmaceutical products including bottles of pills, jars containing powders and liquids, boxes that appear to contain medical supplies, and several containers labeled \"ACTOGEN,\" which might be an antiseptic product. The environment suggests this could be either the backroom or sto [...]")
Zuid-Mexico, Ed van der Elsken, 1960
#Zuid-Mexico #EdvanderElsken #Mexico #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Links: Zuid-Mexico; rechts: kerk in Oaxaca, Mexico, Ed van der Elsken, 1960
#rechts #Oaxaca #Mexico #EdvanderElsken #Gothic #Zuid-Mexico #SouthMexico #Elsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Een boer bewerkt het land met paarden en een ezel, Zuid-Mexico, Ed van der Elsken, 1960
#Zuid-Mexico #EdvanderElsken #Mexico #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Portret van twee Zoeloes, broer en zus, in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Portretvan #Zoeloes #Durban #Zuid-Afrika #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image is a black and white photograph featuring two individuals standing side by side against an indistinct, dark background. On the left is someone dressed in elaborate traditional attire that includes a headpiece with feathers or wings extending from it, possibly made of paper or cloth material. They wear multiple pieces of jewelry such as beaded necklaces, armlets, and bracelets, along with white patterns on their clothing that could signify rank or status within their culture.
The individual is also wearing short pants adorned with what appears to be intricate embroidery work in various colors, including reds and whites against a dark base. The person's posture suggests they are confident and composed for the photograph.
On the right stands another figure clad in more contemporary clothing; however, traditional elements such as a patterned vest or shirt suggest cultural significance is maintained alongside modern influences. They wear long trousers with visible creases indicating movement, possibly dance steps captured during the photo session.
This person also has a hat on their head and carries what appears to be a walking stick or cane in one hand, adding an element of dignity and perhaps wisdom associated with age or status within their community. The attire includes stripes along the cuffs and hemlines, suggesting attention to detail in dress codes.
Both [...]](https://social.trom.tf/photo/preview/640/54600908 "The image is a black and white photograph featuring two individuals standing side by side against an indistinct, dark background. On the left is someone dressed in elaborate traditional attire that includes a headpiece with feathers or wings extending from it, possibly made of paper or cloth material. They wear multiple pieces of jewelry such as beaded necklaces, armlets, and bracelets, along with white patterns on their clothing that could signify rank or status within their culture.
The individual is also wearing short pants adorned with what appears to be intricate embroidery work in various colors, including reds and whites against a dark base. The person's posture suggests they are confident and composed for the photograph.
On the right stands another figure clad in more contemporary clothing; however, traditional elements such as a patterned vest or shirt suggest cultural significance is maintained alongside modern influences. They wear long trousers with visible creases indicating movement, possibly dance steps captured during the photo session.
This person also has a hat on their head and carries what appears to be a walking stick or cane in one hand, adding an element of dignity and perhaps wisdom associated with age or status within their community. The attire includes stripes along the cuffs and hemlines, suggesting attention to detail in dress codes.
Both [...]")
Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Bierhal #Durban #Zuid-Afrika #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image depicts a group of people sitting together in what appears to be an informal, outdoor setting. The scene is captured through the bars and mesh fence that surround them, suggesting they are inside a cage or enclosure at night. This creates a sense of intimacy among the individuals as well as a stark contrast between their situation and freedom.
In terms of composition, there's a strong focus on textures and contrasts—between light and shadow, solid objects like cups held by some figures against others with more blurred silhouettes, creating depth within this constrained space. The grayscale palette emphasizes these elements further without the distraction of color.
The people in the picture seem to be engaged in conversation or contemplation; their body language varies from leaning forward attentively to slouched postures suggesting weariness or thoughtfulness respectively. Their clothing is casual and seems suited for a warm climate, indicating an informal gathering possibly after work hours when they could relax together outside of institutional confines.
The absence of vibrant colors due to the black-and-white format adds somberness and perhaps implies hardship which might be relevant given additional context provided by Bierhal in Durban. This photograph captures not just individuals but also tells a story about community, resilience or struggle within thi [...]](https://social.trom.tf/photo/preview/640/54596623 "The image depicts a group of people sitting together in what appears to be an informal, outdoor setting. The scene is captured through the bars and mesh fence that surround them, suggesting they are inside a cage or enclosure at night. This creates a sense of intimacy among the individuals as well as a stark contrast between their situation and freedom.
In terms of composition, there's a strong focus on textures and contrasts—between light and shadow, solid objects like cups held by some figures against others with more blurred silhouettes, creating depth within this constrained space. The grayscale palette emphasizes these elements further without the distraction of color.
The people in the picture seem to be engaged in conversation or contemplation; their body language varies from leaning forward attentively to slouched postures suggesting weariness or thoughtfulness respectively. Their clothing is casual and seems suited for a warm climate, indicating an informal gathering possibly after work hours when they could relax together outside of institutional confines.
The absence of vibrant colors due to the black-and-white format adds somberness and perhaps implies hardship which might be relevant given additional context provided by Bierhal in Durban. This photograph captures not just individuals but also tells a story about community, resilience or struggle within thi [...]")
Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Bierhal #Durban #Zuid-Afrika #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Man en vrouw op straat in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #HindStores #SouthAfrican #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Riksjabestuurder en krantenverkoper, op straat in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #SouthAfrican #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image is a black and white photograph depicting two individuals standing together on an urban street. The person on the left appears to be dressed in elaborate ceremonial attire, including large horn-like headgear with multiple points, feathered decorations, a chest piece adorned with geometric patterns and symbols that includes text reading "1954" and "Winner," as well as fringed skirts and traditional footwear. Their posture is imposing, suggesting they are part of an important cultural or celebratory event.
The individual on the right stands beside them in casual clothing consisting of shorts, a short-sleeved shirt with visible writing "DEC," dark pants held up by suspenders, and sandals. This person has their hand raised to what appears to be adjusting their hair or headgear, possibly indicating they are partaking in similar activities as the other individual.
The background is slightly blurred but shows buildings typical of an urban setting with signs indicative of a street environment. There's a sense of casualness compared to the ceremonial dress of the person on the left. The photograph captures a moment that likely signifies cultural exchange or celebration, possibly during a festival or parade in South Africa as suggested by the source information indicating it is from Riksjabestuurder en krantenverkoper (Postmaster General and Newspaper Seller) in Durban. [...]](https://social.trom.tf/photo/preview/640/54589111 "The image is a black and white photograph depicting two individuals standing together on an urban street. The person on the left appears to be dressed in elaborate ceremonial attire, including large horn-like headgear with multiple points, feathered decorations, a chest piece adorned with geometric patterns and symbols that includes text reading \"1954\" and \"Winner,\" as well as fringed skirts and traditional footwear. Their posture is imposing, suggesting they are part of an important cultural or celebratory event.
The individual on the right stands beside them in casual clothing consisting of shorts, a short-sleeved shirt with visible writing \"DEC,\" dark pants held up by suspenders, and sandals. This person has their hand raised to what appears to be adjusting their hair or headgear, possibly indicating they are partaking in similar activities as the other individual.
The background is slightly blurred but shows buildings typical of an urban setting with signs indicative of a street environment. There's a sense of casualness compared to the ceremonial dress of the person on the left. The photograph captures a moment that likely signifies cultural exchange or celebration, possibly during a festival or parade in South Africa as suggested by the source information indicating it is from Riksjabestuurder en krantenverkoper (Postmaster General and Newspaper Seller) in Durban. [...]")
Twee vrouwen met een baby, op straat in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image depicts two individuals seated closely together. They are adorned in traditional attire, with patterns and textures that suggest cultural significance. The person on the left appears to be a young woman wearing a headwrap and what seems like an open shawl or blanket draped over her shoulders. Her expression is contemplative as she looks off into the distance.
The individual on the right also wears a distinct headdress, complemented by strands of beads around their necks. They have their arm casually resting across the lap of the person next to them and are gazing towards something outside of the frame with an open-mouthed smile, suggesting engagement or amusement in conversation.
Both individuals display relaxed postures, indicative of comfort within each other's presence. The background is minimally detailed but includes elements like a curtain which implies they might be seated on a porch or veranda. The black and white tone of the photograph lends it a timeless quality, highlighting the contrast between light and shadow that accentuates their features.
There are no discernible colors due to the monochromatic nature of the image; shades range from dark grays to lighter tones where highlights occur naturally in skin textures and fabric folds. This choice of black and white photography could be aiming for a focus on form, texture, and expression rather than c [...]](https://social.trom.tf/photo/preview/640/54586436 "The image depicts two individuals seated closely together. They are adorned in traditional attire, with patterns and textures that suggest cultural significance. The person on the left appears to be a young woman wearing a headwrap and what seems like an open shawl or blanket draped over her shoulders. Her expression is contemplative as she looks off into the distance.
The individual on the right also wears a distinct headdress, complemented by strands of beads around their necks. They have their arm casually resting across the lap of the person next to them and are gazing towards something outside of the frame with an open-mouthed smile, suggesting engagement or amusement in conversation.
Both individuals display relaxed postures, indicative of comfort within each other's presence. The background is minimally detailed but includes elements like a curtain which implies they might be seated on a porch or veranda. The black and white tone of the photograph lends it a timeless quality, highlighting the contrast between light and shadow that accentuates their features.
There are no discernible colors due to the monochromatic nature of the image; shades range from dark grays to lighter tones where highlights occur naturally in skin textures and fabric folds. This choice of black and white photography could be aiming for a focus on form, texture, and expression rather than c [...]")
Straatgezicht in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Straatgezicht #Durban #Zuid-Afrika #EdvanderElsken #KOALAMD #ColonialMutual #HighFashion #ELFORDSHOES #APTEK #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Opgezette leeuwen in een museum in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Opgezetteleeuwen #Durban #Zuid-Afrika #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Straatgezicht in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Straatgezicht #Durban #Zuid-Afrika #EdvanderElsken #Fireworks #Dutch #Loener #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![This black and white photograph captures a street scene in what appears to be an urban area. In the foreground, two individuals stand facing each other on the sidewalk; one is partially visible from behind while the other's back is turned towards us as they appear to engage with someone out of frame. Behind them are more people going about their business: another individual stands near a pile of luggage suggesting travel or transit, and pedestrians walk by in various directions.
The street scene features classic cars indicative of mid-20th-century transportation, emphasizing the historical context of the photograph. A storefront labeled "Fireworks" is visible on the left side of the image, along with other signs indicating different types of businesses such as a clothing store and possibly others not entirely legible from this angle.
The overall atmosphere suggests daily life in an urban area during that period. The individuals' attire varies: one person has what looks like a trench coat or heavy jacket while another is wrapped in a blanket, hinting at varied social conditions or time of day. There's no indication of specific identities or personal details about the people captured.
This image aligns with Straatgezicht (Street View) photography style that documents everyday life on streets worldwide during the mid-20th century as seen through the lens of Ed van der Els [...]](https://social.trom.tf/photo/preview/640/54576366 "This black and white photograph captures a street scene in what appears to be an urban area. In the foreground, two individuals stand facing each other on the sidewalk; one is partially visible from behind while the other's back is turned towards us as they appear to engage with someone out of frame. Behind them are more people going about their business: another individual stands near a pile of luggage suggesting travel or transit, and pedestrians walk by in various directions.
The street scene features classic cars indicative of mid-20th-century transportation, emphasizing the historical context of the photograph. A storefront labeled \"Fireworks\" is visible on the left side of the image, along with other signs indicating different types of businesses such as a clothing store and possibly others not entirely legible from this angle.
The overall atmosphere suggests daily life in an urban area during that period. The individuals' attire varies: one person has what looks like a trench coat or heavy jacket while another is wrapped in a blanket, hinting at varied social conditions or time of day. There's no indication of specific identities or personal details about the people captured.
This image aligns with Straatgezicht (Street View) photography style that documents everyday life on streets worldwide during the mid-20th century as seen through the lens of Ed van der Els [...]")
Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Durban #Zuid-Afrika #EdvanderElsken #TheApostles #SouthAfrica #African #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Straatgezicht in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Straatgezicht #Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Matrozen op straat in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Matrozenopstraat #Durban #Zuid-Afrika #EdvanderElsken #Dutch #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Bank met witte vrouw in een stadspark in Durban, Zuid-Afrika, zittend op het gras een zestal zwarte mannen, Ed van der Elsken, 1959
#wittevrouw #Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Bank met witte mensen langs de kust in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#wittemensen #Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #Europeans #Blankees #BlackSouth #Africa #African #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![This black and white photograph depicts a scene from South Africa in 1960. It shows four individuals on what appears to be a boardwalk or promenade near the sea, with waves visible in the background under an overcast sky.
On the left side of the image is a wooden bench labeled "Europeans" at its backrest and "Blankees," which refers to Black South Africans during apartheid. There are three women seated on this bench; one woman appears older than the other two, possibly her mother or grandmother, and they seem engaged in conversation.
To the right of the bench stands a man with glasses holding a newspaper under his arm, seemingly contemplating something as he looks off into the distance. His posture suggests introspection or concern about what's happening around him or perhaps outside of this frame where we cannot see. He is dressed casually but stylishly for that time period.
In contrast to these seated figures, there is another individual walking along in a more casual stance wearing shorts and carrying papers under his arm while gazing out towards the sea with an air of contemplation as well.
The photograph captures a moment that likely holds significant social commentary during apartheid South Africa. The segregation indicated by "Europeans" versus "Blankees," the differing ages among those on the bench, and even their clothing suggest different levels within socie [...]](https://social.trom.tf/photo/preview/640/54556278 "This black and white photograph depicts a scene from South Africa in 1960. It shows four individuals on what appears to be a boardwalk or promenade near the sea, with waves visible in the background under an overcast sky.
On the left side of the image is a wooden bench labeled \"Europeans\" at its backrest and \"Blankees,\" which refers to Black South Africans during apartheid. There are three women seated on this bench; one woman appears older than the other two, possibly her mother or grandmother, and they seem engaged in conversation.
To the right of the bench stands a man with glasses holding a newspaper under his arm, seemingly contemplating something as he looks off into the distance. His posture suggests introspection or concern about what's happening around him or perhaps outside of this frame where we cannot see. He is dressed casually but stylishly for that time period.
In contrast to these seated figures, there is another individual walking along in a more casual stance wearing shorts and carrying papers under his arm while gazing out towards the sea with an air of contemplation as well.
The photograph captures a moment that likely holds significant social commentary during apartheid South Africa. The segregation indicated by \"Europeans\" versus \"Blankees,\" the differing ages among those on the bench, and even their clothing suggest different levels within socie [...]")
Opgezette vogels in een museum in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Opgezette #Durban #Zuid-Afrika #EdvanderElsken #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Bierhal #Durban #Zuid-Afrika #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
![The image depicts a bustling indoor setting with numerous individuals gathered closely together, suggesting it is likely some form of public establishment such as a restaurant or cafe. Two men are prominently featured in the foreground; one on the left side appears to be drinking from an elongated vessel typically used for serving beverages like beer, while wearing what looks like a leather jacket and cap indicative of early 20th-century attire.
The man on the right is seated at a table, smiling broadly towards the camera. He's dressed in a tweed blazer with his sleeves rolled up to reveal checkered patterns; he also sports a flat cap that complements his cheerful demeanor.
Behind them, various other patrons are visible—some engaged in conversation while others seem absorbed in their meals or drinks. The background is filled with similar individuals, creating an atmosphere of busy social interaction typical of such venues during the late 19th to early 20th centuries.
The photograph's monochromatic tone and grainy texture suggest it could be a historical snapshot from that era. A distinctive feature in this setting are large metal buckets on the table which likely served as containers for drinks, common practices before modern serving ware was introduced.
There is no clear indication of specific activities beyond drinking or socializing, but these elements together por [...]](https://social.trom.tf/photo/preview/640/54550420 "The image depicts a bustling indoor setting with numerous individuals gathered closely together, suggesting it is likely some form of public establishment such as a restaurant or cafe. Two men are prominently featured in the foreground; one on the left side appears to be drinking from an elongated vessel typically used for serving beverages like beer, while wearing what looks like a leather jacket and cap indicative of early 20th-century attire.
The man on the right is seated at a table, smiling broadly towards the camera. He's dressed in a tweed blazer with his sleeves rolled up to reveal checkered patterns; he also sports a flat cap that complements his cheerful demeanor.
Behind them, various other patrons are visible—some engaged in conversation while others seem absorbed in their meals or drinks. The background is filled with similar individuals, creating an atmosphere of busy social interaction typical of such venues during the late 19th to early 20th centuries.
The photograph's monochromatic tone and grainy texture suggest it could be a historical snapshot from that era. A distinctive feature in this setting are large metal buckets on the table which likely served as containers for drinks, common practices before modern serving ware was introduced.
There is no clear indication of specific activities beyond drinking or socializing, but these elements together por [...]")
